As April comes to a close, naturally I haven't gotten around to all the films I'd like to, but I've added the films I've already discussed on the sidebar of this blog. More will follow. I've also started a regular feature on Film for the Soul's Counting Down the Zeroes, which goes through the major film awards of each given year. I've already gone through 2000, and 2001 will close sometime next month.
Of course, in relation to the films of 2001, it's a pretty infamous year as far as awards are concerned, not least of which being at the Oscars, where they dropped the liberal card and played it safe at the very same time. Ron Howard beat out Robert Altman (for one of his lesser, but fine, films), David Lynch (for one of his best efforts), Peter Jackson (who would win when the third LOTR rolled around) and Ridley Scott (whose Black Hawk Down forgave Hannibal, for many people) in the Best Director race. The Academy introduced the long-overdue Best Animated Feature prize which decided to nominate Jimmy Neutron: Boy Genius over Richard Linklater's Waking Life (the first Shrek would be the first winner in this category). And then, there was Denzel Washington, Best Actor winner for a medicore genre film where he would spend less time onscreen than Best Supporting Actor nominee Ethan Hawke, and Halle Berry, who actually beat out Sissy Spacek. Despite the love shown for Amèlie in its native country, at the Independent Spirits and at the box office, Danis Tanovic's No Man's Land routinely topped it at both the Golden Globes and Oscars. And the Razzies once again showed that they don't really "get" it, with Freddy Got Fingered sweeping the awards Mariah Carey and a bunch of apes couldn't. Tom Green would be the first person to show up to receive his "honors," though I heard the year's Best Actress Oscar-winner did the same for Catwoman.Cannes
Palme d'Or: La stanza del figlio (The Son's Room) [d. Nanni Moretti]Grand Prix: La pianiste (The Piano Teacher) [d. Michael Haneke]
Best Director: (tie) David Lynch - Mulholland Drive; Joel Coen - The Man Who Wasn't There
Best Actor: Benoît Magimel - La pianiste
Best Actress: Isabelle Huppert - La pianiste [unanimously]
Best Screenplay: Danis Tanović - No Man's Land
Technical Grand Prize: Tu Du-Che - Millennium Mambo
Camera d'Or: Atanarjuat: The Fast Runner [d. Zacharias Kunuk]
Venice
Golden Lion: Monsoon Wedding [d. Mira Nair]Grand Special Jury Prize: Hundstage (Dog Days) [d. Ulrich Seidl]
Best Actor: Luigi Lo Cascio - Luce dei miei occhi [Light of My Eyes]
Best Actress: Sandra Ceccarelli - Luce dei miei occhi
Career Golden Lion: Eric Rohmer
Toronto
People's Choice Award: Le fabuleux destin d'Amélie Poulain (Amélie) [d. Jean-Pierre Jeunet]Discovery Award: Chicken Rice War [d. Cheah Chee Kong]
Best Canadian Feature: Atanarjuat: The Fast Runner [d. Zacharias Kunuk]
Berlin
Golden Bear: Intimacy [d. Patrice Chéreau]Best Director: Lin Cheng-sheng - Betelnut Beauty
Best Actor: Benicio Del Toro - Traffic
Best Actress: Kerry Fox - Intimacy
Jury Grand Prix: Beijing Bicycle [d. Wang Xiaoshuai]
Jury Prize: Italiensk for begyndere (Italian for Beginners) [d. Lone Scherfig]
Outstanding Artistic Achievment: You're the one (una historia de entonces) [d. Raúl Pérez Cubero]
Honorary Golden Bear: Kirk Douglas
Teddy (Feature): Hedwig and the Angry Inch [d. John Cameron Mitchell]
Teddy (Documentary): Trembling Before G-d [d. Sandi Simcha Dubowski]
Teddy (Jury Award): Forbidden Fruit [d. Sue Maluwa-Bruce, Beate Kunath]
Sundance
Grand Jury Prize (Dramatic): The Believer [d. Henry Bean]Grand Jury Prize (Documentary): Southern Comfort [d. Kate Davis]
Director (Dramatic): John Cameron Mitchell - Hedwig and the Angry Inch
Director (Documentary): Stacy Peralta - Dogtown and Z-Boys
Special Jury Prize (Dramatic): In the Bedroom, for Tom Wilkinson and Sissy Spacek
Special Jury Prize (Documentary): Children Underground [d. Edet Belzberg]
Cinematography (Dramatic): Giles Nuttgens - The Deep End
Cinematography (Documentary): Albert Maysles - LaLee's Kin: The Legacy of Cotton
Audience Award (Dramatic): Hedwig and the Angry Inch
Audience Award (Documentary): (tie) Dogtown and Z-Boys; Scout's Honor [d. Tom Shepard]
Audience Award (World Cinema): The Road Home [d. Zhang Yimou]
Academy Awards
Best Picture: A Beautiful Mind [d. Ron Howard]Best Director: Ron Howard - A Beautiful Mind
Best Actor: Denzel Washington - Training Day
Best Actress: Halle Berry - Monster's Ball
Best Supporting Actor: Jim Broadbent - Iris
Best Supporting Actress: Jennifer Connelly - A Beautiful Mind
Best Original Screenplay: Julian Fellowes - Gosford Park
Best Adapted Screenplay: Akiva Goldsman - A Beautiful Mind
Best Cinematography: Andrew Lesnie - The Lord of the Rings: The Fellowship of the Ring
Best Documentary: Un coupable idéal (Murder on a Sunday Morning) [d. Jean-Xavier de Lestrade, Denis Poncet]
Best Foreign Film: No Man's Land [d. Danis Tanović]
Animated Feature: Shrek [d. Aron Warner]
Honorary Award: Sidney Poitier, Robert Redford
BAFTAs
Best Film: The Lord of the Rings: The Fellowship of the Ring [d. Peter Jackson]Best Director: Peter Jackson - The Lord of the Rings: The Fellowship of the Ring
Best British Film: Gosford Park [d. Robert Altman]
Best Actor: Russell Crowe - A Beautiful Mind
Best Actress: Judi Dench - Iris
Best Supporting Actor: Jim Broadbent - Moulin Rouge!
Best Supporting Actress: Jennifer Connelly - A Beautiful Mind
Best Original Screenplay: Guillaume Laurant, Jean-Pierre Jeunet - Amélie
Best Adapted Screenplay: Ted Elliott, Terry Rossio, Joe Stillman, Roger S.H. Shulman - Shrek
Best Cinematography: Roger Deakins - The Man Who Wasn't There
Film Not in the English Language: Amores perros [d. Alejandro González Iñárritu]
European Film Awards
Best Film: Amélie [d. Jean-Pierre Jeunet]Best Director: Jean-Pierre Jeunet - Amélie
Best Actor: Ben Kingsley - Sexy Beast
Best Actress: Isabelle Huppert - La pianiste (The Piano Teacher)
Best Cinematography: Bruno Delbonnel - Amélie
Best Screenplay: Danis Tanovic - No Man's Land
Best Documentary: Black Box BRD [d. Andres Veiel]
Discovery: El Bola [d. Achero Mañas]
Screen International: Moulin Rouge! [d. Baz Luhrmann]
Audience Award (Actor): Colin Firth - Bridget Jones's Diary
Audience Award (Actress): Juliette Binoche - Chocolat
Audience Award (Director): Jean-Pierre Jeunet - Amélie
Life Achievement Award: Monty Python
Independent Spirit
Best Feature: Memento [d. Christopher Nolan]Best First Feature: In the Bedroom [d. Todd Field]
Best Director: Christopher Nolan - Memento
Best Male Lead: Tom Wilkinson - In the Bedroom
Best Female Lead: Sissy Spacek - In the Bedroom
Best Supporting Male: Steve Buscemi - Ghost World
Best Supporting Female: Carrie-Anne Moss - Memento
Best Debut Performance: Paul Dano - L.I.E.
Best Screenplay: Christopher Nolan - Memento
Best First Screenplay: Daniel Clowes, Terry Zwigoff - Ghost World
Best Cinematography: Peter Deming - Mulholland Drive
Best Documentary: Dogtown and Z-Boys [d. Stacy Peralta]
Best Foreign Film: Amélie [d. Jean-Pierre Jeunet]
Someone to Watch Award: Debra Eisenstadt - Daydream Believer
Golden Globes
Picture (Drama): A Beautiful Mind [d. Ron Howard]Picture (Comedy/Musical): Moulin Rouge! [d. Baz Luhrmann]
Director: Robert Altman - Gosford Park
Actor (D): Russell Crowe - A Beautiful Mind
Actress (D): Sissy Spacek - In the Bedroom
Actor (M/C): Gene Hackman - The Royal Tenenbaums
Actress (M/C): Nicole Kidman - Moulin Rouge!
Supporting Actor: Jim Broadbent - Iris
Supporting Actress: Jennifer Connelly - A Beautiful Mind
Screenplay: Akiva Goldsman - A Beautiful Mind
Foreign Film: No Man's Land [d. Danis Tanović]
Cecil B. DeMille Award: Harrison Ford
Césars Awards
Best Film (Meilleur film): Amélie [d. Jean-Pierre Jeunet]Best Director (Meilleur réalisateur): Jean-Pierre Jeunet - Amélie
Best Actor (Meilleur acteur): Michel Bouquet - Comment j'ai tué mon père (How I Killed My Father)
Best Actress (Meilleure actrice): Emmanuelle Devos - Sur mes lèvres (Read My Lips)
Best Supporting Actor (Meilleur acteur dans un second rôle): André Dussollier - La chambre des officiers (Officer's Ward)
Best Supporting Actress (Meilleure actrice dans un second rôle): Annie Girardot - La pianiste (The Piano Teacher)
Most Promising Actor (Meilleur espoir masculin): Robinson Stévenin - Mauvais genres (Transfixed)
Most Promising Actress (Meilleur espoir féminin): Rachida Brakni - Chaos
Best Screenplay (Meilleur scénario): Jacques Audiard, Tonino Benacquista - Sur mes lèvres
Best Cinematography (Meilleure photographie): Tetsuo Nagata - La chambre des officiers
Best Foreign Film (Meilleur film étranger): Mulholland Drive [d. David Lynch]
Best First Film (Meilleur premier film): No Man's Land [d. Danis Tanović]
Honorary Césars: Anouk Aimée, Jeremy Irons, Claude Rich
Razzies
Worst Film: Freddy Got Fingered [d. Tom Green]Worst Director: Tom Green - Freddy Got Fingered
Worst Actor: Tom Green - Freddy Got Fingered
Worst Actress: Mariah Carey - Glitter
Worst Supporting Actor: Charlton Heston - Cats & Dogs, Planet of the Apes, Town & Country
Worst Supporting Actress: Estella Warren - Planet of the Apes, Driven
Worst Screenplay: Tom Green, Derek Harvie - Freddy Got Fingered
Worst Remake/Sequel: Planet of the Apes [d. Tim Burton]
1 comment:
Coincidentaly I am doing a "revision" of the movies of the decade. For an number of different reason: one is having way to much time in hands now. The movies you are looking at have a wide overlap with the movies I am looking at. There is a difference though, I watch very few American movies. I am a Foreign Art House nutcase who watches films from the four corners of the world (including Canada) but not "movies" out of the established American entretainment industry. Since there is not truly objective criteria to rank movies only a discerning sentitivity polished by watching films as diverse as possible, my intention is more humble: I am interested in the threads, the topics, the themes, the human issues and how they are treated cinematically with the resources the filmmaker has at hand, and with the constrains the filmmaker faces; even his cultural, historical, political censorship, and, social and economic buondaries. I have seen every foreing movie you have listed. I am also interested on the market constraints that co-opt potentially great filmakers into the innanity of the American media industry. The guy you mention who when from a criterion DVD to pinneaple express in a blink of an eye is less about having only film in the head, as it is about the allure of the power of money in a society manipulated by "privatized propaganda". Lina is a 'saint" in these context. I am looking not only at the winners in the festival circuit but also at all the ones who where able to get in, even if they did not win. The most recent round of festival shows that most film accepted (not only the winner) have clinched distribution deals, with few susprising exceptions. But a number of films are screened in at least a dozen festivals about the global economy, and films are multiple country co-productions, and genre conventions are creeping in; still a foreing genre movie is infinetely better than an American industry flat formulaic genre. Thanks for reading. Your knowledge of foreign films is astonishing and surprising for an American. I write by hand (in cursive) on moleskin notebooks with a vintage fountain pen and blue ink, no cartriges.
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