Cannes 2013: Winners

Who would have guessed that the gayest and most sexually explicit recipient of the Palme d'Or would be given by Steven Spielberg? Certainly not me, but that's exactly what transpired at the closing ceremony of the 66th annual Cannes Film Festival two Sundays ago when Spielberg and his jury–which consisted of Daniel Auteuil, actress Vidya Balan, filmmaker Naomi Kawase, Nicole Kidman, Ang Lee, Cristian Mungiu, Lynne Ramsay, and two-time Oscar winner Christoph Waltz–awarded Abdellatif Kechiche's La vie d'Adèle - Chapitre 1 et 2, or as it's known in English territories Blue Is the Warmest Color, the festival's top prize. In a surprising move, the jury also presented the film's two lead actresses, Léa Seydoux and Adèle Exarchopoulos, with the Palme. This left the Best Actress prize to be awarded to another French thespian, Bérénice Bejo, in Asghar Farhadi's Le passé (The Past). Two American films walked away with honors; the Coen Brothers' Inside Llewyn Davis took home the Grand Prix, and Bruce Dern claimed the Best Actor prize for Alexander Payne's Nebraska. Mexican filmmaker Amat Escalante (Los bastardos, Sangre) was named Best Director for the film Heli. Jia Zhang-ke won the Best Screenplay prize for A Touch of Sin, and the jury prize went to Hirokazu Kore-eda's Like Father, Like Son.

It proved to be a rather strong year for queer films at Cannes, with Alain Guiraudie's L'inconnu du lac (Stranger by the Lake) beating the Palme d'Or winner for the Queer Palm award. FIlmmaker João Pedro Rodrigues (To Die Like a Man) was the head of that particular jury. Stranger by the Lake is the fourth film to have won the prize, following Gregg Araki's Kaboom in 2010, Oliver Hermanus' Skoonheid (Beauty) in 2011, and Xavier Dolan's Laurence Anyways in 2012. In addition to the Queer Palm, Alain Guiraudie was named Best Director in the Un Certain Regard section; the top prize went to Rithy Panh's L'image manquante (The Missing Image). The rest of the awards given this year are below.

Palme d'Or: La vie d'Adèle - Chapitre 1 et 2 (Blue Is the Warmest Color), d. Abdellatif Kechiche, France/Belgium/Spain
Grand prix: Inside Llewyn Davis, d. Joel Coen, Ethan Coen, USA/France
Prix du jury: Like Father, Like Son, d. Hirokazu Kore-eda, Japan
Prix de la mise en scène (Best Director): Amat Escalante - Heli
Prix d'interprétation féminine (Best Actress): Bérénice Bejo - Le passé (The Past)
Prix d'interprétation masculine (Best Actor): Bruce Dern - Nebraska
Prix du scénario (Best Screenplay): Jia Zhang-ke - A Touch of Sin

Caméra d'Or: Ilo Ilo, d. Anthony Chen, Singapore

Prix Un Certain Regard: L'image manquante (The Missing Picture), d. Rithy Panh, Cambodia/France
- Prix du jury: Omar, d. Hany Abu-Assad, Palestine
- Prix de la mise en scène: Alain Guiraudie - L'inconnu du lac (Stranger by the Lake)
- Prix Un Talent Certain: The acting ensemble - La jaula de oro
- Prix de l'avenir: Ryan Coogler - Fruitvale Station

FIPRESCI Awards
- Competition: La vie d'Adèle - Chapitre 1 et 2 (Blue Is the Warmest Color), d. Abdellatif Kechiche, France/Belgium/Spain
- Un Certain Regard: Manuscripts Don't Burn, d. Mohammad Rasoulof, Iran
- Quinzaine des Réalisateurs: Blue Ruin, d. Jeremy Saulnier, USA

Semaine de la critique Grand Prix: Salvo, d. Fabio Grassadonia, Antonia Piazza, Italy/France

Queer Palm: L'inconnu du lac (Stranger by the Lake), d. Alain Guiraudie, France

A final pre-fest update for Cannes 2010

In addition to Olivier Assayas' Carlos (I think they've dropped the Jackal in the title), seven more films have been added to the Cannes roster. In competition, Wang Xiaoshuai's (Beijing Bicycle, Shanghai Dreams) Chongqing Blues and Kornél Mundruczó's (Delta, Johanna) Tender Son: The Frankenstein Project will bring the count to eighteen films competing for the Palme d'Or. Pablo Trapero's (Rolling Family, Lion's Den) Carancho and Jia Zhang-ke's (Still Life, The World) I Wish I Knew will be screening in the Un Certain Regard section. Andrei Ujică's The Autobiography of Nicolae Ceauşescu, Lucy Walker's Countdown to Zero and an omnibus film from Brazil entitled 5xFavela will be shown out of competition.

I realized that I forgot to mention the rest of the jury members that will be (hopefully) pushing Tim Burton in the right direction. They are actors Kate Beckinsale, Benicio del Toro and Giovanna Mezzogiorno; directors Victor Erice (The Spirit of the Beehive), Shekhar Kapur (Elizabeth) and Emmanuel Carrère (La moustache); and Alberto Barbera, director of the National Museum of Cinema. Claire Denis will head the jury of the Un Certain Regard section.

Millennium Mambo, Part 2-ish

Two more big lists have been published asserting the finest films of the decade. The haughtier of the two came from The Toronto International Film Festival Cinematheque, which surveyed a group of "film curators, historians, and festival programmers" and named, in a surprise move, Apichatpong Weerasethakul's Syndromes and a Century the best film of the 2000s. I'm in agreement with almost their entire list, aside from Claire Denis' Beau travail (not because I don't absolutely adore the film, but because by my own regulations, it counts as a 1999 film) [Abbas Kiarostami's The Wind Will Carry Us falls into the same place for me], Guillermo del Toro's Pan's Labyrinth (which is fine, but doesn't need to be that high) and Elephant, which should not be listed above Gerry (or Paranoid Park, which isn't on the list). I also don't have much affinity for I Don't Want to Sleep Alone, I'm Not There., Alexandra or Saraband (from what I remember of it), but that's part of the joy in lists like these, no? The list is as follows, with plenty of ties, the US distributor if applicable is listed after the title for assistance:

01. Syndromes and a Century, 2006, d. Apichatpong Weerasethakul, Thailand/France/Austria, Strand Releasing

02. Platform, 2000, d. Jia Zhang-ke, China/Hong Kong/Japan/France, New Yorker Films

03. Still Life, 2006, d. Jia Zhang-ke, China/Hong Kong, New Yorker Films

04. Beau travail, 1999/2000, d. Claire Denis, France, New Yorker Films

05. In the Mood for Love, 2000, d. Wong Kar-wai, Hong Kong/China/France, USA Films/Criterion

06. Tropical Malady, 2004, d. Apichatpong Weerasethakul, Thailand/France/Germany/Italy, Strand Releasing

07. (tie) The Death of Mr. Lăzărescu [Moartea domnului Lăzărescu], 2005, d. Cristi Puiu, Romania, Tartan Films
07. (tie) Werckmeister Harmonies [Werckmeister harmóniák], 2000, d. Béla Tarr, Ágnes Hranitzky, Hungary/Italy/Germany/France, Facets

08. Éloge de l'amour [In Praise of Love], 2001, d. Jean-Luc Godard, France/Switzerland, New Yorker Films

09. 4 Months, 3 Weeks and 2 Days [4 luni, 3 săptămâni şi 2 zile], 2007, d. Cristian Mungiu, Romania, IFC Films

10. Silent Light [Stellet licht], 2007, d. Carlos Reygadas, Mexico/France/Netherlands/Germany, Palisades Tartan

11. Russian Ark, 2002, d. Aleksandr Sokurov, Russia/Germany, Wellspring

12. The New World, 2005, d. Terrence Malick, USA/UK, New Line

13. Blissfully Yours, 2002, d. Apichatpong Weerasethakul, Thailand/France, Strand Releasing

14. Le fils [The Son], 2002, d. Jean-Pierre Dardenne, Luc Dardenne, Belgium/France, New Yorker Films

15. Colossal Youth [Juventude Em Marcha], 2006, d. Pedro Costa, Portugal/France/Switzerland, Criterion (unreleased as of yet)

16. (tie) Les glaneurs et la glaneuse [The Gleaners & I], 2000, d. Agnès Varda, France, Zeitgeist
16. (tie) In Vanda's Room [No Quarto da Vanda], 2000, d. Pedro Costa, Portugal/Germany/Switzerland/Italy, Criterion (unreleased as of yet)
16. (tie) Songs from the Second Floor [Sånger från andra våningen], 2000, d. Roy Andersson, Sweden/Norway/Denmark, New Yorker Films

17. (tie) Caché, 2005, d. Michael Haneke, France/Austria/Germany/Italy, Sony Pictures Classics
17. (tie) A History of Violence, 2005, d. David Cronenberg, USA/Germany, New Line
17. (tie) Mulholland Drive, 2001, d. David Lynch, France/USA, Universal Studios
17. (tie) Three Times, 2005, d. Hou Hsiao-hsien, Taiwan/France, IFC Films

18. Rois et reine [Kings and Queen], 2004, d. Arnaud Desplechin, France, Wellspring

19. Elephant, 2003, d. Gus Van Sant, USA, HBO Films

20. Talk to Her [Hable con ella], 2002, d. Pedro Almodóvar, Spain, Sony Pictures Classics

21. (tie) The Wind Will Carry Us, 1999/2000, d. Abbas Kiarostami, Iran/France, New Yorker Films
21. (tie) Yi yi: A One and Two, 2000, d. Edward Yang, Taiwan/Japan, Fox Lorber/Criterion

22. Pan's Labyrinth [El laberinto del Fauno], 2006, d. Guillermo del Toro, Mexico/Spain/USA, Picturehouse/New Line

23. (tie) L'enfant, 2005, d. Jean-Pierre Dardenne, Luc Dardenne, Belgium/France, Sony Pictures Classics
23. (tie) The Heart of the World, 2000, d. Guy Maddin, Canada, Zeitgeist
23. (tie) I Don't Want to Sleep Alone, 2006, d. Tsai Ming-liang, Taiwan/Malaysia/China/France/Austria, Strand Releasing
23. (tie) Star Spangled to Death, 2004, d. Ken Jacobs, USA, Big Commotion Pictures

24. The World, 2004, d. Jia Zhang-ke, China/Japan/France, Zeitgeist

25. (tie) Café Lumière, 2003, d. Hou Hsiao-hsien, Japan/Taiwan, Wellspring
25. (tie) The Headless Woman [La mujer sin cabeza], 2008, d. Lucrecia Martel, Argentina/France/Italy/Spain, Strand Releasing
25. (tie) L'intrus [The Intruder], 2004, d. Claire Denis, France, Wellspring
25. (tie) Millennium Mambo, 2001, d. Hou Hsiao-hsien, Taiwan/France, Palm Pictures
25. (tie) My Winnipeg, 2007, d. Guy Maddin, Canada, IFC Films
25. (tie) Saraband, 2003, d. Ingmar Bergman, Sweden/Italy/Germany/Finland/Denmark/Austria, Sony Pictures Classics
25. (tie) Spirited Away, 2001, d. Hayao Miyazaki, Japan, Studio Ghibli/Disney
25. (tie) I'm Not There., 2007, d. Todd Haynes, USA/Germany, The Weinstein Company

26. Gerry, 2002, d. Gus Van Sant, USA, Miramax

27. (tie) Distant [Uzak], 2002, d. Nuri Bilge Ceylan, Turkey, New Yorker Films
27. (tie) Dogville, 2003, d. Lars von Trier, Denmark/Sweden/UK/France/Germany/Norway/Finland/Netherlands, Lionsgate
27. (tie) The Royal Tenenbaums, 2001, d. Wes Anderson, USA, Touchstone/Criterion

28. (tie) Alexandra, 2007, d. Aleksandr Sokurov, Russia/France, Cinema Guild
28. (tie) demonlover, 2002, d. Olivier Assayas, France, Palm Pictures

29. (tie) Atanarjuat: The Fast Runner, 2001, d. Zacharias Kunuk, Canada, Lot 47 Films
29. (tie) Goodbye, Dragon Inn, 2003, d. Tsai Ming-liang, Taiwan, Wellspring

30. (tie) Longing [Sehnsucht], 2006, d. Valeska Grisebach, Germany, N/A
30. (tie) Secret Sunshine, 2007, d. Lee Chang-dong, South Korea, N/A
30. (tie) Vai e Vem [Come and Go], 2003, d. João César Monteiro, Portugal/France, N/A
30. (tie) Far from Heaven, 2002, d. Todd Haynes, USA/France, Focus Features

So to tally... directors with more than one showing: Apichatpong Weerasethakul (3), Hou Hsiao-hsien (3), Jia Zhang-ke (3), Gus Van Sant (2), Todd Haynes (2), Tsai Ming-liang (2), Aleksandr Sokurov (2), Claire Denis (2), Guy Maddin (2), the Dardenne brothers (2), Pedro Costa (2). Only 5 of the 54 are unavailable on DVD in the US, though both Pedro Costa films are planned (or at least strongly rumored) to be coming from Criterion. However, in looking at the list, there is a wave of sadness, seeing studios that are no more like New Yorker Films, Wellspring/Fox Lorber, USA Films, Lot 47 Films and Picturehouse, as well as ones that have fallen from grace but still existing in a smaller form like Palm Pictures and (meh) Miramax and New Line. Of course, a number of fabulous distribution studios have opened throughout the past ten years, from Cinema Guild, IFC Films, Benten Films and Oscilloscope as well as Palisades Tartan's restarting of the Tartan library, which brought Silent Light to screens this year. The biggest showing though for the studios still thriving would have to be Strand Releasing, who released 5 of the films above, including the "newest" of the lot, Lucrecia Martel's brilliant The Headless Woman [La mujer sin cabeza]. I wonder if it's an oversight that no 2009 film made the list or if the TIFF crowd was being overzealous with getting that list out. Also, notice only 2 documentaries and 1 short made the list, something I'm sure a handful of other lists will make up for.

Anyway, onto List #2 for Time Out New York, which polled a number of Big Apple-ish film critics, including Andrew Grant, Karina Longworth, Aaron Hillis and Kevin B. Lee (their individual top 10s can be found via this link). The list rounded to 50, but I'll only post the top 30 here, so you can check out the write-ups and #31-50 on their site.

01. Mulholland Drive, 2001, d. David Lynch, USA/France, Universal Studios
02. There Will Be Blood, 2007, d. Paul Thomas Anderson, USA, Paramount Vantage/Miramax
03. Eternal Sunshine of the Spotless Mind, 2004, d. Michel Gondry, USA, Focus Features
04. The New World, 2005, d. Terrence Malick, USA/UK, New Line
05. In the Mood for Love, 2000, d. Wong Kar-wai, Hong Kong/China/France, USA Films/Criterion
06. Yi yi: A One and Two, 2000, d. Edward Yang, Taiwan/Japan, Fox Lorber/Criterion
07. Dogville, 2003, d. Lars von Trier, Denmark/Sweden/UK/France/Germany/Norway/Finland/Netherlands, Lionsgate
08. Zodiac, 2007, d. David Fincher, USA, Paramount
09. A Christmas Tale [Un conte de Noël], 2008, d. Arnaud Desplechin, France, IFC Films/Criterion
10. Friday Night [Vendredi soir], 2002, d. Claire Denis, France, Wellspring
11. Spirited Away, 2001, d. Hayao Miyazaki, Japan, Studio Ghibli/Disney
12. American Psycho, 2000, d. Mary Harron, USA/Canada, Lionsgate
13. Inland Empire, 2006, d. David Lynch, USA/Poland/France, Absurda
14. Trouble Every Day, 2002, d. Claire Denis, France/Germany/Japan, Lot 47 Films
15. Domestic Violence, 2001, d. Frederick Wiseman, USA, Zippora Films
16. Punch-Drunk Love, 2002, d. Paul Thomas Anderson, USA, Columbia Pictures
17. Gosford Park, 2001, d. Robert Altman, UK/USA/Italy, Universal Studios
18. Femme Fatale, 2002, d. Brian De Palma, France/USA, Warner Bros.
19. I'm Not There., 2007, d. Todd Haynes, USA/Germany, The Weinstein Company
20. The Mad Songs of Fernanda Hussein, 2001, d. John Gianvito, USA, Extreme Low Frequency Productions
21. Brokeback Mountain, 2005, d. Ang Lee, USA/Canada, Focus Features
22. Synecdoche, New York, 2008, d. Charlie Kaufman, USA, Sony Pictures Classics
23. The Death of Mr. Lăzărescu [Moartea domnului Lăzărescu], 2005, d. Cristi Puiu, Romania, Tartan Films
24. I Heart Huckabees, 2004, d. David O. Russell, USA/Germany, Fox Searchlight
25. Inglourious Basterds, 2009, d. Quentin Tarantino, USA/Germany, The Weinstein Company/Universal Studios
26. Kings and Queen [Rois et reine], 2004, d. Arnaud Desplechin, France, Wellspring
27. Oldboy, 2003, d. Park Chan-wook, South Korea, Tartan Films
28. Before Sunset, 2004, d. Richard Linklater, USA, Warner Independent
29. Songs from the Second Floor [Sånger från andra våningen], 2000, d. Roy Andersson, Sweden/Norway/Denmark, New Yorker Films
30. Children of Men, 2006, d. Alfonso Cuarón, UK/USA/Japan, Universal Studios

While Time Out's list is certainly more US-centric than TIFF's, I can't find much bad to say about a list that includes Brian De Palma's Femme Fatale in the top 20 (and even included one film I'd never heard of: The Mad Songs of Fernanda Hussein... another highlight of checking out lists as these, if only that particular DVD wasn't already out-of-print). I don't know how I feel about Inglourious Basterds as the highest ranked 2009 film (and, in fact, the only one). The remainder of the list contains some real surprising and/or underrated treasures like Ramin Bahrani's Man Push Cart, Michael Mann's Miami Vice and Lukas Moodysson's Lilya 4-ever [Lilja 4-ever], as well as some contemptible ones like The 40-Year-Old Virgin (and, yeah, Donnie Darko). The only film that absolutely does not belong on the big 30 is I Heart Huckabees, while a few dangle on that line (American Psycho, Brokeback Mountain), keeping my personal preference against a couple out of the mix. So here's to the close of the '00s! More list, I'm sure, are on hitting the "printer" right now. I can't wait to hear what Cahiers du cinéma rounds up.

Announcing... The 18th Annual Saint Louis International Film Festival

Cinema Saint Louis has officially unveiled the line-up for the 18th annual Saint Louis International Film Festival today. I've known about all this for a while, as I did some assisting this year, but now that everything's set in stone (at least, as much as it can be) I can discuss some of the highlights this year. The four best films we're screening: Lucrecia Martel's The Headless Woman [La mujer sin cabeza], Lisandro Alonso's Liverpool, Claire Denis' 35 Shots of Rum [35 rhums] and Andrew Bujalski's Beeswax. All four will make their local debuts at the festival, which begins 12 November 2009, opening with Lone Scherfig's An Education, with Peter Sarsgaard, who hails from the Saint Louis area, in attendance. Sadly, I was so focused on the features this year I haven't had a chance to see any of the documentaries yet.

Bujalski will be in attendance at the Beeswax screening on 13 November at Webster University. Lee Daniels is coming with Precious (I tried to get Mariah, but y'know, she's busy) on 14 November. Director Kirk Jones will also be present for Everybody's Fine, a remake of Giuseppe Tornatore's Stanno tutti bene with Robert DeNiro, Drew Barrymore, Sam Rockwell and Kate Beckinsale. Jason Reitman is coming with Up in the Air, followed by a Q&A, on 14 November at the Tivoli Theatre. Other appearances include Kevin Willmott with his The Only Good Indian; author Daniel Woodrell for the Director's Cut of Ang Lee's Ride with the Devil; Connie Stevens for Saving Grace B. Jones as well as co-stars Penelope Ann Miller, Rylee Fansler, Evie Louise Thompson and Tricia Leigh Fisher; Faruk Sabanovoc, co-writer and art director of Snow [Snijeg]; David Lowery with his excellent feature debut St. Nick; Sarah Ferguson, Duchess of York, with The Young Victoria which she co-produced with Martin Scorsese; AJ Schnack with his Convention; Joel Hodgson and the original crew of Mystery Science Theater 3000; Joe Berlinger with his latest film Crude; and Ry Russo-Young, writer/director of You Wont Miss Me, another film that comes highly recommended.

Stewart Copeland's Jennifer, which I discussed twice before, will screen as part of the Documentary Short collection "Individuals." Another friend of mine Mike Steinberg, director of the Big Sky Documentary Film Festival, will premiere two documentaries: Old Dog, New Trick and The Pride of St. Louis (co-directed by Thomas Crone). The screenings, on 20 November, will be followed by a concert from the subjects of the docs, local musicians Steve Scorfina and the band Mama's Pride (one of my father's favorites, actually).

Closing on Sunday, 22 November, you have your pick between Agnès Varda's The Beaches of Agnès [Les plages d'Agnès], Richard Linklater's Me and Orson Welles, Terry Gilliam's The Imaginarium of Doctor Parnassus or Jean-Marc Vallée's The Young Victoria.

A few other films screening this year that I quite admire: Nancy Kissam's Drool; two films from Christian Petzold, Yella and Jerichow; Lucía Puenzo's XXY; and Noah Buschel's The Missing Person. And a couple I have yet to see: Jia Zhang-ke's 24 City; Nuri Bilge Ceylan's Three Monkeys [Üç maymun]; Ondi Timoner's We Live in Public; and Hans-Christian Schmid's Storm [Sturm]. Check out the full schedule and descriptions (many of which were written by yours truly) at Cinema Saint Louis' website. I'll have more updates closer to the fest itself.

DVD/Blu-ray Update, 6 October

Some classy, some sleazy; here's the DVD and Blu-ray announcements for 6 October. Why has Brittany Murphy been reduced to direct-to-DVD thrillers these days? No good. Good though: Jia Zhang-ke's 24 City bows on DVD in January from Cinema Guild. Oh, and sorry for the lousy pick of Blu-ray titles, but those were the only newly announced ones I could find.

- Paraiso Travel, 2008, d. Simon Brand, Phase 4 Films, 13 October, w. John Leguizamo
- Watch Out, 2008, d. Steve Balderson, Breaking Glass Pictures, 17 November
- Slaughtered Vomit Dolls, 2006, d. Lucifer Valentine, Unearthed Films/Breaking Glass Pictures, 24 November
- The Jazz Singer, 1980, d. Richard Fleischer, Anchor Bay, 30th Anniversary, 1 December
- Paper Heart, 2009, d. Nicholas Jasenovec, Anchor Bay, also on Blu-ray, 1 December
- Chai-Lai Angels, 2006, d. Poj Arnon, Magnet/Magnolia, 15 December
- District 9, 2009, d. Neill Blomkamp, Sony Pictures, also on Blu-ray, 15 December
- Herb & Dorothy, 2008, d. Megumi Sasaki, New Video, 15 December
- Lucky Bastard, 2009, d. Everett Lewis, Breaking Glass Pictures, 15 December
- Extract, 2009, d. Mike Judge, Miramax, also on Blu-ray, 22 December
- Ghost Machine, 2009, d. Chris Hartwill, Anchor Bay, 22 December
- To Take a Wife [Prendre femme], 2004, d. Ronit Elkabetz, Shlomi Elkabetz, Sisu, 22 December
- 24 City, 2008, d. Jia Zhang-ke, Cinema Guild, 12 January
- Across the Hall, 2009, d. Alex Merkin, Image Entertainment, also on Blu-ray, 19 January, w. Brittany Murphy
- $5 a Day, 2008, d. Nigel Cole, Image Entertainment, also on Blu-ray, 26 January, w. Christopher Walken, Sharon Stone, Alessandro Nivola, Amanda Peet, Peter Coyote, Dean Cain
- Doctor Death, 1973, d. Eddie Saeta, Scorpion Releasing, 26 January
- You're a Good Man, Charlie Brown, 1985, d. Sam Jaimes, Warner, 26 January

Blu-ray

- Alphabet Killer, 2008, d. Rob Schmidt, Anchor Bay, 8 December
- Behind the Mask: The Rise of Leslie Vernon, 2006, d. Scott Glosserman, Anchor Bay, 8 December
- Lower Learning, 2008, d. Mark Lafferty, Anchor Bay, 8 December
- Walled In, 2008, d. Gilles Paquet-Brenner, Anchor Bay, 8 December
- While She Was Out, 2008, d. Susan Montford, Anchor Bay, 8 December
- 10 Things I Hate About You, 1999, d. Gil Junger, Touchstone, 31 January

Date Changes/Delays/Rumors

- Public Enemies, 2009, d. Michael Mann, Universal, now 8 December
- Big Love, Season 3, 2009, HBO, now 5 January
- House of the Devil, 2009, d. Ti West, MPI [postponed indefinitely]
- Grindhouse on Blu-ray on 15 December (I should quit with this shit)??
- 8½ on Blu-ray early 2010??

From Cannes, With Love

Have you been wondering what’s become of all those films you were reading about back in May when the Cannes Film Festival was underway? Since neither you nor I could attend, it can tend to be a bit disappointing discovering films that we probably won’t be able to see for months or, as is sometimes the case, even in over a year. For both of our benefits, I’ve done my research and found out where all of the In Competition titles stand in their post-festival limbo. I hope this provides helpful, and I intend to do the same for this year’s Venice and Toronto, even though they contain a bunch of duplicates and even though neither fest seemed to impress much of anyone. I will also take a look at some of the more notable out-of-competition films from Cannes.

Fernando Meirelles’ Blindness, the opening film of the festival, was only one of two In Competition films that had a distributor going in (Miramax). The film, which stars Julianne Moore, Mark Ruffalo, Gael García Bernal, Alice Braga and Danny Glover, will be released on 6 October in a cut different from the one that premiered to some pretty lousy reviews at Cannes. The new version received a similarly mixed reaction at Toronto.

Atom Egoyan’s Adoration, which stars Arsinée Khanjian, Scott Speedman and Rachel Blanchard, was the other, getting picked up by Sony Pictures Classics a few weeks before the festival began. I had initially read that Sony was planning a fall release for the film, but their website now states that the date is to be announced. No doubt the film’s negative reception didn’t help, though I have to believe it’s better than Egoyan’s last film, Where the Truth Lies.

Clint Eastwood’s Changeling, starring Angelina Jolie, John Malkovich and Amy Ryan, was produced by Universal and will begin its limited run on 24 October.

Laurent Cantet’s Entre les murs, the Palme d’Or winner this year at Cannes, was picked up by Sony Pictures Classics with the bland title The Class. It opens on 12 December in New York and on Christmas in Los Angeles, so if you don’t live in either city, you’ll probably have to wait until January.

IFC Films picked up Matteo Garrone’s Gomorrah (Gomorra), winner of the Grand Prix, just after the festival wrapped, though no date has been set. You may notice with the way the market has been lately Sony Pictures Classics and IFC Films pretty much have first dibs on all the notable international titles (which, in my book, makes it all-the-more disappointing when they do occasionally release pedestrian films).

New Yorker purchased Nuri Bilge Ceylan’s Three Monkeys, which took home the Best Director Prize. No date has been set, but I wouldn’t expect them to get the film out there until sometime next year.

Paolo Sorrentino’s biopic of Italian prime minister Giulio Andreotti Il divo, winner of the Jury Prize, is still without a distributor, although there’s still a chance that it may get one soon as it also played at Toronto this year. Il divo played in Italian theatres just a few days after its premiere and will be released theatrically in France and the UK around January through Studio Canal and Artificial Eye, respectively.

Jean-Pierre and Luc Dardenne’s Le silence de Lorna (Lorna’s Silence), which won the Best Screenplay award, should be out this winter from Sony Pictures Classics. The film, which stars Jérémie Renier, was released in August in France through Diaphana Films and will hit theatres in the UK in November through New Wave. Keep in mind though, as there is no firm date set, that we may have to wait until 2009, as SPC took just as long to put out the brothers’ L’enfant, which won the Palme d’Or in 2005.

Steven Soderbergh’s epic four-plus-hour-long two-parter Che finally found a home, after leaving Cannes with no takers, in IFC after its North American premiere in Toronto. Che won the Best Actor prize for Benicio del Toro.

Walter Salles and Daniela Thomas’ Linha de Passe, which won the Best Actress prize for Sandra Corveloni, is also still without US distributor. It will, however, hit theatres in the UK on Friday through Pathé.

Kornél Mundruczó’s Delta appears to be without a distributor just about everywhere. It was one of the least popular films at this year’s festival and may simply remain one of the ever-unpopular “festival movies.”

Jia Zhang-ke’s 24 City, which stars Joan Chen, was picked up by The Cinema Guild recently. They will be releasing it sometime in the first part of 2009.

Philippe Garrel’s La frontière de l’aube, which stars his son Louis, is also without distribution outside of its native France, where it will hit theatres on 6 October through Les Films du Losange.

Pablo Trapero’s Leonera, or Lion’s Den, has no US buyers, though it has a December release date in France from Ad Vitam and an UK distributor through Halcyon Pictures; no date is set for the UK.

Lucrecia Martel’s La mujer sin cabeza (The Headless Woman) is still without any takers in the US, although it has a March 2009 date set in France through Ad Vitam. The film will also screen at this year’s New York Film Festival.

Eric Khoo’s My Magic will be in French cinemas this November, but no buyers from the UK or the US have been secured.

Wim Wenders’ The Palermo Shooting, another low-rated entry this year, has a November date set for Wenders’ native Germany, but nothing has been set for the US. The German theatrical release may be a different version than the one that screened at the fest, but I couldn’t find any further details. The Palermo Shooting stars musician Camino, Dennis Hopper, Giovanna Mezzogiorno and Sebastian Blomberg, as well as Milla Jovovich and Lou Reed as themselves.

Regent Releasing and here Films acquired Brillante Mendoza’s Serbis and plan to release the film sometime this year.

After numerous months without a distributor, Sony Pictures Classics finally took hold of Charlie Kaufman’s directorial debut Synecdoche, New York, starring Philip Seymour Hoffman, Catherine Keener, Samantha Morton, Michelle Williams, Jennifer Jason Leigh, Emily Watson, Dianne Wiest and Hope Davis. The film opens in New York and LA on 24 October. No dates have been set for either the UK or France.

As a result of lack of outside interest, James Gray’s Two Lovers is going to be released through Magnolia in early January. The film, which stars Joaquin Phoenix, Gwyneth Paltrow, Vinessa Shaw, Isabella Rossellini and Elias Koteas, will be released by Wild Bunch in France in November.

Arnaud Desplechin’s A Christmas Tale (Un conte de Noël) was one of the first acquisitions of the festival, finding its home with IFC, who will have it out in time for Christmas on 14 November. BAC Films released in the film in France just days after the festival. Among many others, A Christmas Tale stars Catherine Deneuve, Mathieu Amalric, Emmanuelle Devos, Chiara Mastroianni, Hippolyte Giradot and Melvil Poupaud.

And finally, Ari Folman’s animated Waltz with Bashir will open in the US the day after Christmas through Sony Pictures Classics.

New Yorker in October + Others

New Yorker has a pretty big month coming in October. They've already announced Jia Zhang-ke's Still Life, but you can add four more to their roster. Firstly, the omnibus French comedy Six in Paris [Paris vu par...], from directors Claude Chabrol, Jean Douchet, Jean-Luc Godard, Jean-Daniel Pollet, Eric Rohmer and Jean Rouch, which Eric mentioned yesterday. Then you have Danièle Huillet and Jean-Marie Straub's biblical Moses and Aaron, which was announced and delayed at the same time of Six in Paris. Then you also get Ousmane Sembene and Thierno Faty Sow's Camp de Thiaroye from 1987 and Hong Sang-soo's Woman on the Beach from 2006. Six streets on 14 October, Moses on the 21st and Camp and Woman on the 28th.

Lionsgate has announced their third and fourth entries into the Meridian Collection: Gus Van Sant's Drugstore Cowboy, with Matt Dillon, Kelly Lynch, James LeGros, Grace Zabriskie, Heather Graham and William S. Burroughs, and Fernando León de Aranoa's Mondays in the Sun [Los lunes al sol], with Javier Bardem and Luis Tosar. Both are pretty easy to find otherwise, but you can find them in their new editions on 21 October.

Wolfe will release two European films in October as well: Marco S. Puccioni's Shelter Me [Riparo - Anis tra di noi], with Maria de Medeiros, and Chris Kraus' Four Minutes [Vier Minuten], with Monica Bleibtreu; both will be out on 7 October.

TLA is releasing the documentary Wrangler: Anatomy of an Icon, about porn actor Jack Wrangler, on 28 October. And, finally, Facets will have Arturo Ripstein's Divine [El evangelio de las Maravillas], which stars Francisco Rabal, on the same date.

Updates!

Warner will release documentary about Annie Leibovitz entitled, Life Through a Lens, which was directed by her sister Barbara; the disc streets on 28 October. Zeitgeist will release two films in October: the wonderful documentary Billy the Kid and Up the Yangtze, which has gotten across-the-board acclaim, both on the 18th.

Criterion's October releases include Jean-Pierre Melville's Le deuxième souffle and Le doulos, as well as Costa-Gavras' Missing with Jack Lemmon and Sissy Spacek.

Music Box Films will release, through MPI, Tuya's Marriage on 28 October and Guillaume Canet's mystery Tell No One [Ne le dis à personne] on 25 November. Dokument Films will have the German comedy Eight Miles High on the same day as Tuya.

New Yorker is releasing Jia Zhang Ke's Still Life on 14 October. First Look has Brad Anderson's Transsiberian, with Woody Harrelson, Emily Mortimer, Eduardo Noriega, Thomas Kretschmann and Ben Kingsley, on 4 November, as well as Priceless [Hors de prix] with Audrey Tautou on 18 November.

Kino will release the uncut television version of Pascale Ferran's 2006 adaptation of Lady Chatterley on 14 October. And finally, PeaceArch will have a biopic of punk rocker Darby Crash entitled What We Do Is Secret on 4 November. The film stars Shane West, Bijou Phillips and Ashton Holmes.