Showing posts with label Peter Weir. Show all posts
Showing posts with label Peter Weir. Show all posts

28 April 2009

Pick Flick

While scoping the Amazon page for this movie's Blu-ray release, I noticed a promotion from The Criterion Collection in which users can vote for which, out of five choices, film you'd like to see Criterion release in high-def format. The films are all solid, deserving choices: Louis Malle's Au revoir les enfants, Jim Jarmusch's Down by Law, James Ivory's Howards End, Masaki Kobayashi's Kwaidan and Peter Weir's Picnic and Hanging Rock. It was strange to see Kwaidan among the picks, as its DVD release is one of the more notorious in the collection (the DVD is not the complete version of the film). So, happy voting to you.

31 July 2007

The Eclipse of a Man

A dark cloud appears to be hovering above the world of cinema as two of the grand artistes of the medium have passed on within twenty-four hours of one another. First, Ingmar Bergman, and now, Michelangelo Antonioni. Would it seem fitting that the two were rivals and disliked one another's work? They both questioned human existence through interpersonal relationships, yet their worlds and their visions were not the same. Antonioni isn't mimicked as much as Bergman, but his signature and effect on cinema is equally great. Then again, why would anyone think they could do Antonioni better than the man himself? His passion was intense, and his films were always controversial from the near-riot at the Cannes screening of L'avventura to the boundary-pushing sexuality of Blow-Up. When The Passenger was rereleased a few years ago, one critic lamented that at one point in history, the films of Antonioni were part of the mainstream. Now, you'll be lucky to get a pompous film student undergrad to sit through his work. The world may have changed, but Antonioni's work stayed the same... and it's still as poignant and arresting as it was over forty years ago.

Notable Filmography:
Eros (2004) - with Steven Soderbergh and Wong Kar-wai
Beyond the Clouds (1995) - with Wim Wenders
Identification of a Woman (1982)
The Passenger (1975)
Zabriskie Point (1970)
Blow-Up (1966)
The Red Desert (1964)
L'eclisse (1962)
La notte (1961)
L'avventura (1960)
Il grido (1957)

Other Assorted Filmography:
The Mystery of Oberwald (1981)
China (1972)
La amiche (1955)
Love in the City (1953)
Youth and Perversion/The Vanquished (1953)
Story of a Love Affair (1950)

Extracurricular:
Blow Out (1981) - Brian de Palma's ode to Blow-Up
Picnic at Hanging Rock (1975) - Don't tell me you don't see the influence
Z Channel: A Magnificent Obsession (2004) - Documentary about the famous Z Channel, which aired L'avventura unedited during its short run
Vive l'amour (1994) - Antonioni's influence struck a chord with Asian filmmakers, especially in Tsai Ming-liang's debut film
Performance (1970) - Though closer in relation to Bergman, the film contains plenty of characteristics of Blow-Up
Phoenix (2006) - A gay remake of L'avventura
Under the Sand (2000) - François Ozon does his best L'avventura with Charlotte Rampling as a woman whose husband disappears mysteriously
Climates (2006) - Antonioni was a big influence on Turkish director Nuri Bilge Ceylan for this film
Paris, Texas (1984) - Wim Wenders' classic, for which he took serious inspiration from Antonioni
Twentynine Palms (2003) - Hello, Zabriskie Point!