Showing posts with label Werner Herzog. Show all posts
Showing posts with label Werner Herzog. Show all posts

17 December 2009

Quick DVD Update for 17 December

In addition to the titles below, Cédric Klapisch's Paris, John Krasinski's Brief Interviews with Hideous Men and Anne Fontaine's Coco Before Chanel have all had Blu-rays announced, though they originally were only planned for DVD. The titles in italics are date changes. In descending order of release.

- Freedom Road, 1979, d. Ján Kádar, Tango Entertainment, 2 February, w. Muhammad Ali, Kris Kristofferson
- Jump, 2005, d. Justin Bookey, Pathfinder, 9 February
- A Serious Man, 2009, d. Joel Coen, Ethan Coen, Focus Features, also on Blu-ray, 9 February
- Youssou Ndour: I Bring What I Love, 2008, d. Elizabeth Chai Vasarhelyi, Oscilloscope, 9 February
- Daybreak, 2008, d. Adolfo Alix Jr., Water Bearer Films, 16 February
- Heavenly Touch, 2009, d. Joel Lamangan, Water Bearer Films, 16 February
- No Way Out [Walang kawala], 2008, d. Joel Lamangan, Water Bearer Films, 16 February
- Cool School: How LA Learned to Love Modern Art, 2008, d. Morgan Neville, New Video, 23 February
- Electric Purgatory: The Fate of the Black Rocker, 2005, d. Raymond Gayle, Microcinema, 23 February
- Jack Smith and the Destruction of Atlantis, 2006, d. Mary Jordan, New Video, 23 February
- Marathon, 2009, d. Biju Viswanath, Breaking Glass Pictures, 2 March
- Return to the 36th Chamber, 1980, d. Liu Chia-Liang, Dragon Dynasty, 2 March
- Capitalism: A Love Story, 2009, d. Michael Moore, also on Blu-ray, Anchor Bay, 9 March
- Escape from Blood Plantation [Die Insel der blutigen Plantage], 1983, d. Peter Kern, Kurt Raab, Substance/MVD, 9 March
- Hachi: A Dog's Tale, 2009, d. Lasse Hallström, also on Blu-ray, Sony, 9 March, w. Richard Gere, Joan Allen
- Obscene, 2007, d. Daniel O'Connor, Neil Ortenberg, New Video, 16 March
- South Park, The Complete 13th Season, 2009, also on Blu-ray, Comedy Central/Paramount, 16 March
- The Vengeance Trilogy [Sympathy for Mr. Vengeance / Oldboy / Lady Vengeance], 2002, 2003, 2005, d. Park Chan-wook, Palisades Tartan, 16 March
- Five from Barska Street [Piątka z ulicy Barskiej], 1954, d. Aleksander Ford, Polart/Facets, 23 March
- The Men Who Stare at Goats, 2009, d. Grant Heslov, also on Blu-ray, Anchor Bay, 23 March
- Sayuri Ichijo: Flowing Desire, 1972, d. Tatsumi Kumashiro, Kimstim/Kino, 23 March
- Twisted Path of Love, 2009, d. Tatsumi Kumashiro, Kimstim/Kino, 23 March
- Yakuza Justice: Erotic Code of Honor, 1973, d. Tatsumi Kumashiro, Kimstim/Kino, 23 March
- Afghan Star, 2009, d. Havana Marking, Zeitgeist, 30 March
- The Baader Meinhof Complex [Der Baader Meinhof Komplex], 2008, d. Uli Edel, also on Blu-ray, MPI, 30 March
- I Sell the Dead, 2008, d. Glenn McQuaid, IFC Films, also on Blu-ray, 30 March
- The Trouble with Romance, 2009, d. Gene Rhee, Breaking Glass Pictures, w. David Eigenberg, Kip Pardue
- The Awakening of Spring, 2008, d. Arthur Allan Seidelman, here! Films, 6 April
- Bad Lieutenant: Port of Call New Orleans, 2009, d. Werner Herzog, also on Blu-ray, First Look, 6 April
- Beeswax, 2009, d. Andrew Bujalski, Cinema Guild, 6 April
- Murder.com, 2008, d. Rex Piano, here! Films, 6 April
- The Blue Tooth Virgin, 2008, d. Russell Brown, here! Films, 20 April
- Prom Wars, 2008, d. Phil Price, Koch Vision, 20 April, w. Alia Shawkat

24 October 2009

More Fernando Arrabal from Cult Epics: DVD Update 24 October

While I'm not a huge fan of Fernando Arrabal, I'll likely check out Cult Epics' Arrabal Collection, Volume 2, which includes some lesser-known works from the director, including Car Cemetery with Juliet Berto and The Emperor of Peru with (um) Mickey Rooney. I normally wouldn't list something like the new Nia Vardalos film, but I guess since I've listed everything else IFC has been releasing, it's only fair. I believe First Look will be unloading Herzog's Bad Lieutenant in theatres sometime late November, with its DVD and Blu-ray release in February 2010. All for now.

DVD

- Jennifer's Body, 2009, d. Karyn Kusama, 20th Century Fox, also on Blu-ray, 29 December
- End of Love, 2009, d. Simon Chung, Breaking Glass Pictures, 5 January
- Amreeka, 2009, d. Cherien Dabis, Virgil Films, 12 January
- A Man Called Adam, 1966, d. Leo Penn, Lionsgate, 12 January
- Trucker, 2008, d. James Mottern, Monterey, 12 January, w. Michelle Monaghan, Nathan Fillion, Benjamin Bratt
- According to Greta [Greta], 2009, d. Nancy Bardawil, Anchor Bay, 19 January, w. Hilary Duff
- Chevolution, 2008, d. Luis Lopez, Trisha Ziff, Magnolia, 19 January
- Just Like the Son, 2006, d. Morgan J. Freeman, Breaking Glass Pictures, 26 January, w. Mark Webber, Rosie Perez, Brendan Sexton III
- The Last Stage [Ostatni etap], 1948, d. Wanda Jakubowska, Facets, 26 January
- I Hate Valentine's Day, 2009, d. Nia Vardalos, IFC Films, also on Blu-ray, 9 February
- Anna, the Pleasure, the Torment [Anna, quel particolare piacere], 1973, d. Giuliano Carnimeo, MYA, 23 February
- Bad Lieutenant: Port of Call New Orleans, 2009, d. Werner Herzog, First Look, also on Blu-ray, 23 February
- Car Cemetery [Le cimetière des voitures], 1983, d. Fernando Arrabal, Cult Epics, 23 February, w. Juliet Berto, Alain Bashung
- The Fernando Arrabal Collection, Volume 2 [Car Cemetery / The Emperor of Peru / Farewell, Babylon], 1983, 1982, 1992, d. Fernando Arrabal, Cult Epics, 23 February
- Taxi Hunter, 1993, d. Herman Yau, Eastern Star, 23 February

Blu-ray

- Fame, 1980, d. Alan Parker, Warner, 26 January
- The Crazies, 1973, d. George A. Romero, Blue Underground, 23 February
- Poultrygeist: Night of the Chicken Dead, 2006, d. Lloyd Kaufman, Troma, 23 February
- Fantasia, 1942, d. Various, Disney, 2 March
- Fantasia 2000, 1999, d. Various, Disney, 3 March

16 August 2009

Toronto, encore

New films from Alejandro Amenábar, Carlos Saura, Werner Herzog and (boo) Don Roos have been added to the slate. The concrete line-up will come sometime next week.

Gala

- Agora - d. Alejandro Amenábar
- Coco Chanel & Igor Stravinsky - d. Jan Kounen
- I, Don Giovanni [Io, Don Giovanni] - d. Carlos Saura
- Love & Other Impossible Pursuits - d. Don Roos - w. Natalie Portman, Lisa Kudrow
- The Men Who Stare at Goats - d. Grant Heslov
- Mother and Child - d. Rodrigo García - w. Samuel L. Jackson, Naomi Watts, David Morse, Annette Bening, Kerry Washington, Amy Brenneman, Tatyana Ali, Marc Blucas, Jimmy Smits
- Phantom Pain [Phantomschmerz] - d. Matthias Emcke - w. Til Schweiger, Stipe Erceg


Special Presentations

- Baarìa, la porta del vento - d. Giuseppe Tornatore
- L'affaire Farewell - d. Christian Carion (Joyeux Noël) - w. Emir Kusturica, Guillaume Canet, Willem Dafoe, Alexandra Maria Lara, Fred Ward
- The Joneses - d. Derrick Borte (directorial debut) - w. David Duchovony, Demi Moore, Amber Heard, Gary Cole, Glenne Headly, Lauren Hutton
- Les derniers jours du monde - d. Arnaud Larrieu, Jean-Marie Larrieu (To Paint or Make Love) - w. Mathieu Amalric, Sergi López, Catherine Frot, Clotilde Hesme, Serge Bozon, Jacques Nolot, Sabine Azéma
- My Son, My Son, What Have Ye Done - d. Werner Herzog - w. Willem Dafoe, Chloë Sevigny, Michael Peña, Michael Shannon, Brad Dourif, Udo Kier, Grace Zabriskie, Irma P. Hall
- The Road - d. John Hillcoat
- Road, Movie - d. Dev Benegal
- A Single Man - d. Tom Ford
- The Traveller - d. Ahmed Maher
- The Waiting City - d. Claire McCarthy - w. Radha Mitchell, Joel Edgerton, Tillotama Shome
- Wheat - d. He Ping - w. Fan Bingbing
- Youth in Revolt - d. Miguel Arteta (Chuck & Buck, The Good Girl) - w. Michael Cera, Zach Galifianakis, Justin Long, Steve Buscemi, Ray Liotta, Ari Graynor, Feed Willard, Jean Smart, Mary Kay Place, M. Emmet Walsh

15 August 2009

The Decade List: The White Diamond (2004)

The White Diamond - dir. Werner Herzog

If 2005's Grizzly Man displayed Herzog's wry meditation on the destructive, inalterable makeup of nature, The White Diamond offers the flip-side. Making himself a very involved presence (more visably than in Grizzly Man), Herzog joins Dr. Graham Dorrington, a British aerospace engineer, at the Kaieteur Falls of Guyana to test Dorrington's helium airship invention. The expedition comes with a shroud of melancholy and a suggested despondence as a similar excursion took the life of Dorrington's close friend Dieter Plage ten years prior.

Herzog, never the unbiased onlooker, finds a remarkably different view of the relationship between man and the natural world in The White Diamond. Chatting with the locals, filming Dorrington's bittersweet recollections of Plage as well as the team's oscillating failures and successes, Herzog discovers a sort of harmony Timothy Treadwell foolhardily believed to exist in this world. The White Diamond is sumptuously beautiful, visually of course, but the film's weight, a central theme both literally and figuratively, stems from Herzog's invigorating portrait of the healing and fortifying power that the natural world can (sometimes) provide.

Screenplay: Rudolph Herzog, Annette Scheurich; story by Rainer Bergomaz, Marion Pöllmann; commentary by Werner Herzog
Cinematography: Henning Brümmer, Klaus Scheurich
Music: Ernst Reijsiger, Eric Spitzer
Country of Origin: Germany/Japan/UK
US Distributor: Wellspring

Premiere: 13 November 2004 (Cinemanet Europe Opening Festival)
US Premiere: 30 April 2005 (San Francisco International Film Festival)

30 July 2009

New Denis, Rivette, Ferrara, Chéreau, Akin, Sequels to Repo Man, Tetsuo at Venice 09

The official Venice Film Festival line-up was announced today in Italy with some very exciting prospects, not least of which the latest from Claire Denis and Jacques Rivette. The fest will show their national spirit by opening with (groan) Giuseppe Tornatore's latest Baarìa (in other Tornatore news, did you know Miramax remade Everybody's Fine with Robert De Niro, Sam Rockwell, Drew Barrymore and Kate Beckinsale? It'll be out later this year). A number of the films announced will also screen at this year's Toronto. I suspect Toronto might have been waiting for Venice's announcement to add the final details to their roster. My long-shot of a hope that Sébastien Lifshitz's Plein sud would premiere there didn't happen (its release has also been moved to December in France), but otherwise, 2009 has been a pretty promising year at the big festivals. If that's only by name and/or prestige, I can't say... But can we at least expect an Abel Ferrara/Werner Herzog showdown in Venice this year?

In Competition

- 36 vues du Pic Saint-Loup - d. Jacques Rivette - w. Jane Birkin, Sergio Castellitto, Jacques Bonnaffé, André Marcon
- Accident - Cheang Pou-Soi (Dog Bite Dog)
- Baarìa, la porta del vento - d. Giuseppe Tornatore - w. Monica Bellucci, Raoul Bova, Ángela Molina
- Bad Lieutenant: Port of Call New Orleans - d. Werner Herzog
- Between Two Worlds - Vimukthi Jayasundara (The Foresaken Land)
- Capitalism: A Love Story - d. Michael Moore
- La doppia ora - d. Giuseppe Capotondi (directorial debut) - w. Filippo Timi
- Il grande sogno - d. Michele Placido (Romanzo criminale) - w. Riccardo Scamarcio, Laura Morante
- Lebanon - d. Samuel Maoz
- Life During Wartime - d. Todd Solondz
- Lourdes - d. Jessica Hausner - w. Sylvie Testud, Bruno Todeschini, Léa Seydoux
- Mr. Nobody - d. Jaco van Dormael (Le huitième jour, Toto le héros) - w. Jared Leto, Sarah Polley, Diane Kruger, Rhys Ifans
- Persécution - d. Patrice Chéreau - w. Charlotte Gainsbourg, Romain Duris, Jean-Hughes Anglade
- Prince of Tears - Yonfan (Bishonen)
- The Road - d. John Hillcoat (The Proposition) - w. Viggo Mortensen, Charlize Theron, Guy Pearce, Robert Duvall, Michael K. Williams, Molly Parker, Garret Dillahunt
- A Single Man - d. Tom Ford (yes, the designer) - w. Julianne Moore, Colin Firth, Matthew Goode, Gennifer Goodwin
- Soul Kitchen - d. Fatih Akin - w. Birol Ünel, Moritz Bleibtreu
- Lo spazio bianco - d. Francesca Comencini (Visions of Europe) - w. Margherita Buy, Salvatore Cantalupo
- Survival of the Dead - d. George A. Romero - w. Kenneth Welsh, Devon Bostick (really, in competition?)
- Tetsuo: The Bullet Man - d. Shinya Tsukamoto
- The Traveller - Ahmed Maher
- White Material - d. Claire Denis - w. Isabelle Huppert, Isaach De Bankolé, Christopher Lambert, Nicolas Duvauchelle
- Women Without Men - d. Shirin Neshat

Out of Competition

- [REC] 2 - d. Jaume Balagueró, Paco Plaza
- Anni luce - d. Francesco Maselli (L'amore in città)
- Chengdu, I Love You - d. Fruit Chan, Cui Jian
- The Hole - d. Joe Dante (Gremlins, The 'burbs) - w. Bruce Dern, Teri Polo
- The Informant! - d. Steven Soderbergh
- The Men Who Stare at Goats - d. Grant Heslov (HBO's Unscripted) - w. Ewan McGregor, George Clooney, Kevin Spacey, Jeff Bridges, Stephen Lang
- Napoli Napoli Napoli - d. Abel Ferrara
- L'oro di Cuba - d. Giuliano Montaldo (Sacco & Vanzetti)
- Prove per una tragedia Siciliana - d. John Turturro, Roman Paska
- Scheherazade, Tell Me a Story - d. Yousry Nasrallah (La porte du soleil)
- South of the Border - d. Oliver Stone
- Yona Yona Penguin - d. Rintaro (Metropolis)

Midnight Movies

- Brooklyn's Finest - d. Antoine Fuqua (Training Day) - w. Richard Gere, Don Cheadle, Ethan Hawke, Wesley Snipes, Lili Taylor, Ellen Barkin, Will Patton, Vincent D'Onofrio, Brian F. O'Byrne
- Delhi-6 - d. Rakeysh Omprakash Mehra
- Dev D - d. Anurag Kashyap
- Gulaal - d. Anurag Kashyap
- Valhalla Rising - d. Nicolas Winding Refn (the Pusher series) - w. Mads Mikkelsen, Jamie Sives

Horizons

- 1428 - d. Du Haibin (China)
- Adrift - d. Bui Thac Chuyên (Vietnam)
- Buried Secrets - d. Raja Amari (Satin Rouge, Tunisia)
- Il colore delle parole - d. Marco Simon Puccioni (Riparo, Italy)
- Cow - d. Guan Hu (China)
- Crush - d. Pyotr Buslov, Aleksei German Jr., Boris Khlebnikov, Kirill Serebrennikov, Ivan Vrypayev (Russia)
- Engkwentro - d. Pepe Diokno (Philippines)
- Francesca - d. Bobby Paunescu (Romania) - w. Luminita Gheorghiu
- I Travel Because I Have To, I Come Back Because I Love You - d. Marcelo Gomes (Cinema, Aspirinas e Urubus), Karim Ainouz (Brazil)
- Insolacao - d. Daniela Thomas, Felipe Hirsch (Brazil)
- Io sono l'amore [I Am Love] - d. Luca Guadagnino (Melissa P.) - w. Tilda Swinton
- Judge - Liu Jie (China)
- The Man's Woman and Other Stories - d. Amit Dutta (India)
- Once Upon a Time Proletarian: 12 Tales of a Country - d. Guo Xiaolu (China)
- The One All Alone - d. Frank Scheffer (Netherlands)
- One-Zero - d. Kamla Abou Zekry (Egypt)
- Paraiso - d. Héctor Gálvez (Peru)
- Pepperminta - d. Pipilotti Rist (Switzerland) - w. Sabine Timoteo
- Repo Chick - d. Alex Cox (U.S.)
- Tender Parasites [Zarte Parasiten] - d. Christian Becker, Oliver Schwabe (Germany)
- Toto - d. Peter Schreiner (Austria)
- Tris di donne e abiti nunziali - d. Martina Gedeck (Italy)
- Villalobos - d. Romuald Karmakar (Deutschland 09, Germany)

There were a few more events named, including some stuff from Werner Herzog, Aleksandr Sokurov, Tinto Brass and Phillip Haas. There was also a New Italian Cinema Trends side-bar that I didn't post -- but you can get the titles via Variety. I'll post more when I hear of it.

29 July 2009

More from Toronto: Pippa Lee, Bad Lieutenant, Michael Moore, Coens and Danis Tanovic

Sorry for the delay, but Toronto unveiled another crop of films playing in September the other day. They include a new offering from the Coen brothers, Werner Herzog's not-remake of Abel Ferrara's Bad Lieutenant, Michael Moore's latest, Drew Barrymore's directorial debut, Danis Tanovic's English-language debut and the North American premiere of Rebecca Miller's The Private Lives of Pippa Lee.

- Dorian Gray - d. Oliver Parker - w. Colin Firth
- The Private Lives of Pippa Lee - d. Rebecca Miller - w. Robin Wright Penn, Alan Arkin, Winona Ryder, Mario Bello, Shirley Knight, Keanu Reeves, Blake Lively, Julianne Moore, Monica Bellucci
- Bad Lieutenant: Port of Call New Orleans - d. Werner Herzog - w. Nicolas Cage, Val Kilmer, Eva Mendes, Jennifer Coolidge, Fairuza Balk, Brad Dourif, Xzibit, Irma P. Hall
- Capitalism: A Love Story - d. Michael Moore
- Harry Brown - d. Daniel Barber - w. Michael Caine, Emily Mortimer
- Perrier's Bounty - d. Ian Fitzgibbon - w. Jim Broadbent, Brendan Gleeson, Cillian Murphy
- A Serious Man - d. Joel Coen, Ethan Coen - w. Adam Arkin
- Triage - d. Danis Tanovic - w. Christopher Lee, Colin Farrell, Paz Vega, Kelly Reilly, Juliet Stevenson, Jamie Sives
- Whip It - d. Drew Barrymore - w. Ellen Page, Barrymore, Alia Shawkat, Juliette Lewis, Kristen Wiig, Marcia Gay Harden, Zoe Bell, Eve, Ari Graynor

04 February 2009

Coming (or Not Coming) in 2009: Part 2

Part two of my posts looking at the films that should show up at the major film festivals in 2009 focuses on the rest of Europe. I'm the first to admit my francophile bias in reducing over thirty countries to the same space I devoted to France. Again, feel free to check my previous posts about the Berlinale, where I've already mentioned new films from Lukas Moodysson, Sally Potter, Costa-Gavras, Stephen Frears, Hans-Christian Schmid and Theo Angelopoulos.

There are several reasons to be excited for Pedro Almodóvar's latest film Los abrazos rotos [Broken Embraces]. For starters, the two-time Oscar winner has been on a hot streak ever since All About My Mother [Todo sobre mi madre]. Then, you've got Penélope Cruz, whose turn in the director's Volver changed my ambivalence about her into absolute adoration, and she's playing two roles! And if that weren't enough, Rossy de Palma is back in her first film with the director in fourteen years. Rounding out the rest of the cast is Lola Dueñas (who played Cruz's sister in Volver), Chus Lampreave (a constant in Almodóvar's films), Ángela Molina (That Obscure Object of Desire [Cet obscur objet du désir]) and Lluís Homar (Bad Education [La mala educación]). Broken Embraces hits theatres in Spain on 18 March, followed by a very likely showing at Cannes in May (Volver previously won a collective Best Actress prize) and a US release from Sony Pictures Classics beginning in November.

After reportedly being fired from directing The Lovely Bones (now being done by Peter Jackson), it looks like Lynne Ramsay's next project is to be an adaptation of Lionel Shriver's novel We Need to Talk About Kevin. There's talk around the Internet that her script is fabulous, and though I've found little information about the project as a whole, I'm still keeping my fingers crossed that the film will be ready sometime this year. It's been seven years since Morvern Callar...

Andrew Grant posted earlier this week that one-third of Lars von Trier's latest Antichrist, a horror film which stars Willem Dafoe and Charlotte Gainsbourg, will screen at Berlinale for distributors (likely American ones as the film has distribution already in just about every European country). The earliest release date I have for the film is 19 August in France through Les Films du Losange.

After that disastrous Funny Games remake, Michael Haneke has returned to Austria for Das weiße Band [The White Tape or the Teacher's Tale]. Originally intended as another collaboration with late actor Ulrich Mühe, the film now stars Susanne Lothar who was in the director's The Castle [Das Schloß], Funny Games and The Piano Teacher [La pianiste] and Ulrich Tukur (The Lives of Others [Das Leben der Anderen], Amen.). Les Films du Losange will release the film in France on 21 October; no word yet on a US release.

Werner Herzog will follow up his first Oscar nomination (for Encounters at the End of the World) with Bad Lieutenant: Port of Call New Orleans, which according to the director has nothing to do with the Abel Ferrara film. The IMDb reports the film is in post-production, but I have no information further than that. It stars Nicolas Cage, Eva Mendes, Val Kilmer, Fairuza Balk, Jennifer Coolidge, Brad Dourif and Xzibit.

I can't seem to find a lot about Béla Tarr's latest film (reportedly his last) A Torinói ló [The Turin Horse]. I'll post more when I come across it.

It seems to be up in the air whether Paul Verhoeven's The Winter Queen, the project he was doing with Milla Jovovich that was put on hold when she got pregnant, is still going to be made. There's also a lot of talk about Verhoeven directing the sequel to The Thomas Crown Affair (the remake). I hope we found out soon what he's up to.

Paul Greengrass' new film Green Zone re-teams the director with Matt Damon, although there's still talks about another Bourne film in the works. Green Zone will be released by Universal later this year, likely around the holiday season; Amy Ryan, Jason Isaacs, Brendan Gleeson and Greg Kinnear also star.

Ken Loach's Looking for Eric will be released on 12 June in the UK from Icon. The film is about footy player Eric Cantona, who plays himself. Look for it to possibly debut at Cannes, as Loach won the Palme d'Or in 2006 for The Wind That Shakes the Barley.

A new thriller by director Ole Bornedal (Nightwatch [Nattevagten], Just Another Love Story [Kærlighed på film]) entitled Fri os dra det onde, which loosely translates to Deliver Us from Evil in English, will be out in Denmark on 29 March. No word on a release outside of its native country yet.

Philip Ridley (The Reflecting Skin, The Passion of Darkly Noon) returns to the screen this year with Heartless, which stars Jim Sturgess (Across the Universe), Clémence Poésy (In Bruges), Timothy Spall, Eddie Marsan (Happy-Go-Lucky), Noel Clarke (Kidulthood) and Luke Treadaway (Brothers of the Head). In Interview Magazine, he said he hopes to screen the film at Cannes this year.

Andrea Arnold's second feature film, after Red Road, is called Fish Tank, co-produced by Kees Kasander who has worked with Peter Greenaway for most of his career. Fish Tank stars Michael Fassbender (Hunger) and Harry Treadaway (the other brother in Brothers of the Head) and will likely make its debut at Cannes. Artificial Eye holds the UK rights.

Speaking of Arnold, the second installment of the Advance Party film series, entitled Rounding Up Donkeys, will be released sometime this year. Kate Dickie and Martin Compston are the only cast members listed on the IMDb. Rounding Up Donkeys will be the feature debut for Morag McKinnon, whose short Birthday appears on Cinema 16's British Short Films DVD.

Isabel Coixet's latest Map of the Sounds of Tokyo stars Rinko Kikuchi and Sergi López and should be out sometime later this year.

A 18 December release is set for Alejandro Amenábar's new film Agora, a big-budget historical epic set in Egypt and starring Rachel Weisz. Agora, a Spanish/American co-production, will be Amenábar's first film since winning the Oscar for The Sea Inside [Mar adentro]. The film should be out in Spain sometime in September.

After seeing Mother of Tears, how could you not be excited for Dario Argento's new film? No dates have been set for Giallo, which suffered numerous cast changes after Asia Argento, Vincent Gallo (who was not too pleased to be working alongside Ms. Argento) and Ray Liotta, but it is currently in post-production. Adrien Brody and Emmanuelle Seigner star.

Danis Tanovic, the Oscar-winning director of No Man's Land, directs his first English-language film, entitled Triage. Colin Farrell, Christopher Lee, Paz Vega, Kelly Reilly and Juliet Stevenson star. Canal Plus will release the film in France later this year and no word on a US release.

Colin Farrell will also star in Neil Jordan's latest Ondine, which also stars Stephen Rea. The fantasy film about a mermaid has no release date set.

Nikita Mikhalkov is currently working on a sequel to Burnt by the Sun, which won the Oscar for Best Foreign Film in 1995 as well as the Grand Prix at the 1994 Cannes Film Festival. I don't know anything further.

The new film from Dagur Kári (Noi, the Albino), The Good Heart, will reunite Brian Cox with Paul Dano, who previously starred together in Michael Cuesta's L.I.E., alongside Isild Le Besco.

Lech Majewski (Garden of Earthly Delights) is currently filming The Mill and the Cross with Charlotte Rampling, Michael York and Rutger Hauer. We'll see if it's finished in time for the fall fests.

The latest film from Julio Medem (Sex and Lucía [Lucía y el sexo]) Habitación en Roma [Room in Rome] will be a variation on Matías Bize's En la cama, according to Variety. The English-language film will star Elena Anaya, Najwa Nimri, Enrico Lo Verso (Hannibal) and newcomer Natasha Yarovenko. Anaya and Nimri both co-starred in Lucía.

And finally, in my French post, I neglected to mention Cédric Kahn's new film Regrets which stars Valeria Bruni-Tedeschi and Yvan Attal. Mars Distribution will be releasing it in France on 8 April.

22 January 2009

Bitch List: Oscar Nomination Edition

Now that I've had to time to ponder the Oscar nominations instead of debating whether or not I'm going to continue watching Lost or not after the grave irritations last night, I've decided to express my thoughts on the whole shebang. The biggest upset, as many others have concurred, is the Academy's snub of Sally Hawkins for Happy-Go-Lucky, easily the finest performance of all the Best Actress hopefuls and one of the few that actually carried the film. What's worse is that it looks like Angelina Jolie in Changeling was the substitute, which only leads me to imagine they thought it would be cute to see both Brad Pitt and Jolie nominated in the same year, despite both being undeserving. At least Pitt was forgettable; Jolie, on the other hand, was sort of a disaster, though working in Clint Eastwood's Dirty Harry-in-red-lipstick mode, I suppose it wasn't solely her fault. If the Academy was going for "cute" factor, wouldn't it have been more appealing to nominate Heath Ledger's ex-wife Michelle Williams for Wendy & Lucy? And, if we want "cute" to turn into "dead sexy," how about delivering that Oscar to Penélope Cruz, especially considering she'll be handed the award by her co-star and beau Javier Bardem, who won last year for No Country for Old Men? It'll be just like the Adrien Brody/Halle Berry kiss, only without Adrien Brody and Halle Berry!

For the first time in a long, long while, the foreign language category wasn't a total sham, which proves that, even if Gomorrah was overlooked, the new policy for the category might actually be working in the favor of people who know good cinema. We'll have to hold our our applause until the award is officially given out as the winner is often tough to predict. Waltz with Bashir is the obvious frontrunner, but you know I'm rooting for The Class, which was my favorite film of 2008. I wouldn't be too sad if Revanche took home the trophy either though I suspect the film might be too dark and without pressing social interest to the voters. I've read excellent things about Japan's Departures, so it looks like The Baader Meinhof Complex is the "one of these things is not like the other," garnering pretty terrible reviews around Europe and among those in the US who've actually seen it.

No Revolutionary Road? Thank Christ! Michael Shannon was the only thing salvagable in that mess, and even though the Oscar voters can't resist a Kate Winslet weepie, they chose The Reader over Revolutionary Road. I still haven't seen The Reader, but how could it be worse than Road? How?

Best Picture and Director nominees lining up is always a total bore, even if it's clear that the guy whose film isn't up for best picture won't ever win (see David Lynch, Julian Schnabel)... but this gets me to ol' Benjamin Button. While you know I was pleased that Revolutionary Road was the big shut-out of the year (or maybe The Dark Knight, depending on who you ask), Benjamin Button probably should have been. It's the second-least-interesting film Fincher has directed (hello Panic Room!), and the fact that it bares more than just a passing resemblance to one of the shittiest Best Picture winners of the 90s doesn't help this cause. Pitt's boring, Blanchett's miscast and for such a strange premise for a film and from a director as good as Fincher, it doesn't take a lot of risks. I guess risk-taking isn't a favorite pasttime of the Academy.

If Woody Allen was nominated for Best Original Screenplay for Match Point, there's no discernable reason why Vicky Cristina Barcelona was missing from this year's list. It's his most vibrant and winning film in years, but I've spoken enough about my affinity with the film. However, it wasn't competition that kept it away; only one of the Best Picture dullards was based on an "original screenplay," even though it's a "biopic." So where was Woody?

I'm still a bit miffed that Dear Zachary wasn't even shortlisted for the documentaries, but as usual, the doc nominations were the most assure of the whole list. I'll be happy to see Man on Wire take the fall (fuck, I didn't even realize the pun when I was typing that), particularly if it's for Werner Herzog, who received his first nomination for Encounters at the End of the World after being brutally overlooked for Grizzly Man.

With such a weak year for "respectable" Hollywood cinema, 2008 should have been the year "independent" and foreign cinema stormed the podium. The Class, Gomorrah, Waltz with Bashir, Let the Right One In, Tell No One and A Christmas Tale could have easily (or maybe not) emerged as nominees in the directing or screenwriting categories, but no dice. I often forget that the Oscars are just a way for Hollywood to pass along HJs to one another, because if that weren't the case, each of these films should have made some showing if only to prove to Hollywood that we aren't buying what they're (usually) selling.

No Clint Eastwood? It's about time.

So here's the point where I make my early predictions. I'm pretty sure that the director/picture wins will be split, though I can't decide precisely how. Milk and Slumdog Millionaire look like the big picks as Hollywood loves to be "political," and Milk is considerably more deserving than Brokeback Mountain (even if Mountain losing did allow for the worst film in Academy history to take the top prize). As for Actress, I can't even entertain the possibility of Jolie winning or I might lose that Qdoba burrito I just ate. Winslet is probably your best bet as she's still got that empty place on her mantle. Mickey Rourke is the likely frontrunner for the Actor race, although, other than Pitt, I was impressed with all the contenders. There'll be speculation up till Oscar night as to whether Heath Ledger will receive his tribute or not, even though I thought he should have won for Mountain. My night will be crushed if Cruz leaves empty-handed.

As last year was the first time I've ever seen all of the films nominated in the big categories (Picture, Director, Actors, Actresses, Screeplays, Animated Film), it'll be a lot easier this year to repeat that, as I only have to see Frozen River, Doubt, The Reader, Bolt and Kung-fu Panda. The likelihood that I'll catch The Baader Meinhof Complex or Departures before Oscar night is slim. Anyway, we'll see how pissed we all get come 22 March.