After the Glitter Fades

Behind the Candelabra
2013, USA
Steven Soderbergh

There's a lot to be said about the hype surrounding Behind the Candelabra. Reportedly, this saga of the life of famed, closeted homosexual Liberace as seen through the eyes of his boytoy is to be Steven Soderbergh's last film. The director proclaimed that Hollywood found the project to be "too gay," which is ultimately how it fell into the lap of HBO, where it aired in the USA five days after premiering in competition at the Cannes Film Festival. The movie suffered a number of delays related to star Michael Douglas's bout with cancer, and yet Behind the Candelabra persevered. The fact that it took years for a biopic no one really asked for or seemed to want in the first place to make it to the (television) screen makes its existence even more puzzling.

Why was it necessary to bring the story of Liberace to the screen? The film never gets around to answering that question. It doesn't help that most of the key players–aside from Douglas whose performance is the only remarkable and consistent thing in the film–seem to be sleepwalking through the whole thing. The screenplay, adapted by Richard LaGravenese (who happily brought you the films Freedom Writers and P.S. I Love You) from the memoir of Liberace's young lover Scott Thorson, never rises above a half-cocked marital melodrama. Matt Damon, as Thorson, coasts through the film on autopilot, which is rather unfortunate considering he's given the most time onscreen. There's an especially rough moment at the beginning of the second act, where it looks as though the costume department has shoved a pillow under Damon's shirt to try to show the audience that he had "let himself go."

But it's really the involvement of Soderbergh, who has churned out five films over the past two years (for better or worse), that confounds me. Behind the Candelabra is about the most drab, unnecessary, and mediocre swan song that I can think of. It was by sheer coincidence that I watched Gray's Anatomy, Soderbergh's visually dynamic film adaptation of Spalding Gray's exceptional monologue, just weeks prior to Candelabra. In Gray's Anatomy, Soderbergh crafts several truly breathtaking images on the screen, both during Gray's performance as well as the gorgeous black-and-white talking head interviews with ordinary people discussing their personal ocular history. What we see in Candelabra, however, is a series of awkwardly framed shots (like one where at least two thirds of the screen is taken up by crumpled brown bed sheets in the foreground as Douglas and Damon pillow talk, naked bodies perfectly concealed, in the background) and amateurishly stylized drug sequences.

It would seem useless to bother complaining about the film's sexual prudishness, its embarrassing newspaper-headline exposition about the beginning of AIDS, or the strange comic tone that never quite works (as witnessed in all of Rob Lowe's scenes), since these are just minor oversights in a project as lifeless as this one. Contracts, as it seems, needed to be met, and the rhinestones must have already been paid for... What a curious career you etched out for yourself, Mr. Soderbergh.

With: Matt Damon, Michael Douglas, Dan Aykroyd, Rob Lowe, Debbie Reynolds, Scott Bakula, Nicky Katt, Boyd Holbrook, Paul Reiser, Cheyenne Jackson, Tom Papa, Bruce Ramsay, Mike O'Malley, Jane Morris, Garrett M. Brown

The Decade List: 50 (More) Honorable Mentions

I don't plan on offering realtime stats of the process of elimination I'm going to be going through, but I've officially axed 50 titles from the list that's now sitting at around 165. In previous months' updates, I'd included other honorable mentions that were certainly not going to make the 100, some annotates, some not. You can find them for 2000, 2001, 2002 and an assorted one including films from 2002-2004. These are not what one might assume to be 101-150, as I still have close to 70 more that I need to eliminate before finalizing the 100, but are of some merit nonetheless. Listed alphabetically.

20 Centimeters [20 centímetros], 2005, d. Ramón Salazar, Spain/France
The Assassination of Jesse James by the Coward Robert Ford, 2007, d. Andrew Dominik, USA/Canada
Away from Her, 2006, d. Sarah Polley, Canada
Bad Education [La mala educación], 2004, d. Pedro Almodóvar, Spain
Beeswax, 2009, d. Andrew Bujalski, USA
Before I Forget [Avant que j'oublie], 2007, d. Jacques Nolot, France
The Boss of It All [Direktøren for det hele], 2006, d. Lars von Trier, Denmark/Sweden/Iceland/Italy/France/Norway/Finland/Germany
The Bridge, 2006, d. Eric Steel, USA/UK
Captain Ahab [Capitaine Achab], 2007, d. Philippe Ramos, France/Sweden
The Cats of Mirikitani, 2006, d. Linda Hattendorf, USA

City of God [Cidade de Deus], 2002, d. Fernando Meirelles, Kátia Lund, Brazil/France
Crossing the Bridge: The Sound of Istanbul [Istanbul hatirasi - Köprüyü geçmek], 2005, d. Fatih Akin, Turkey/Germany
Dave Chappelle's Block Party, 2005, d. Michel Gondry, USA
Enduring Love, 2004, d. Roger Michell, UK
The Exterminating Angels [Les anges exterminateurs], 2006, d. Jean-Claude Brisseau, France
Far from Heaven, 2002, d. Todd Haynes, USA/France
Fast Food Nation, 2006, d. Richard Linklater, USA/UK
The Girlfriend Experience, 2009, d. Steven Soderbergh, USA
Great World of Sound, 2007, d. Craig Zobel, USA
Home, 2008, d. Ursula Meier, Switzerland/France/Belgium

In the Loop, 2009, d. Armando Iannucci, UK
The Incredibles, 2004, d. Brad Bird, USA
Jack Smith and the Destruction of Atlantis, 2006, d. Mary Jordan, USA
Jackass Number Two, 2006, d. Jeff Tremaine, USA
The King, 2005, d. James Marsh, UK/USA
Last Life in the Universe, 2003, d. Pen-Ek Ratanaruang, Thailand/Japan
Man Push Cart, 2005, d. Ramin Bahrani, USA
Manderlay, 2005, d. Lars von Trier, Denmark/Sweden/UK/France/Netherlands/Germany
Milk, 2008, d. Gus Van Sant, USA
Next Door [Naboer], 2005, d. Pål Sletaune, Norway/Sweden/Denmark

Punch-Drunk Love, 2002, d. Paul Thomas Anderson, USA
Quiet City, 2007, d. Aaron Katz, USA
Read My Lips [Sur mes lèvres], 2001, d. Jacques Audiard, France
Rejected, 2000, d. Don Hertzfeldt, USA
Requiem, 2006, d. Hans-Christian Schmid, Germany
Rubber Johnny, 2005, d. Chris Cunningham, UK
Silent Light [Stellet licht], 2007, d. Carlos Reygadas, Mexico/France/Netherlands/Germany
Solaris, 2002, d. Steven Soderbergh, USA
Somersault, 2004, d. Cate Shortland, Australia
Son frère, 2003, d. Patrice Chéreau, France

Starting Out in the Evening, 2007, d. Andrew Wagner, USA
Tetro, 2009, d. Francis Ford Coppola, USA/Italy/Spain/Argentina
Time of the Wolf [Le temps du loup], 2003, d. Michael Haneke, France/Austria/Germany
Times and Winds [Beş vakit], 2006, d. Reha Erdem, Turkey
Vinyan, 2008, d. Fabrice Du Welz, France/Belgium/UK/Australia
Wendy and Lucy, 2008, d. Kelly Reichardt, USA
X2, 2003, d. Bryan Singer, USA/Canada
XXY, 2007, d. Lucía Puenzo, Argentina/France/Spain
Yeast, 2008, d. Mary Bronstein, USA
Yella, 2007, d. Christian Petzold, Germany

Another Quick DVD Update

I didn't notice anything worth mentioning on the Blu-ray horizon (as usual), so here are some newly announced titles, three noir box sets and a couple of new titles in the Warner Archive.

- The Films of Amos Gitai [ Kadosh / Kippur / Kedma / Alila / Devarim / Yom Yom], 1999, 2000, 2002, 2003, 1995, 1998, d. Amos Gitai, Kino, 23 February
- The Informant!, 2009, d. Steven Soderbergh, also on Blu-ray, Warner, 23 February
- Soo, 2007, d. Sai Yoichi, Virgil Films, 23 February
- The Baby Formula, 2008, d. Alison Reid, Wolfe, 9 March
- Breaking Bad, Season 2, 2009, also on Blu-ray, Sony, 9 March
- Wonderful World, 2009, d. Joshua Goldin, also on Blu-ray, Magnolia, 16 March, w. Matthew Broderick, Sanaa Lathan, Michael Kenneth Williams, Philip Baker Hall
- Heinrich Himmler: Anatomy of a Mass Murderer [Heinrich Himmler: Aus dem Leben eines Massenmörders], 2008, d. Michael Kloft, First Run, 23 March
- The Statue, 1971, d. Rodney Amateau, Code Red, 23 March
- Ex Drummer, 2007, d. Koen Mortier, Palisades Tartan, 20 April
- Disgrace, 2008, d. Steve Jacobs, also on Blu-ray, Image, 27 April
- Veronica Decides to Die, 2009, d. Emily Young, First Look, 27 April, w. Sarah Michelle Gellar

Bad Girls of Film Noir, Vol. 1, Sony, 9 February

- The Killer That Stalked New York [aka Frightened City], 1950, d. Earl McEvoy
- Two of a Kind, 1951, d. Henry Levin
- Bad for Each Other, 1953, d. Irving Rapper, w. Charlton Heston
- The Glass Wall, 1953, d. Maxwell Shane, w. Vittorio Gassman

Bad Girls of Film Noir, Vol. 2, Sony, 9 February

- Night Editor, 1946, d. Henry Levin
- One Girl's Confession, 1953, d. Hugo Haas
- Women's Prison, 1955, d. Lewis Seiler, w. Ida Lupino
- Over-Exposed, 1956, d. Lewis Seiler, w. Richard Crenna

British Film Noir Double Feature, VCI, 23 February

- Twilight Women [aka Women of Twilight], 1952, d. Gordon Parry
- The Slasher [aka Cosh Boy], 1953, d. Lewis Gilbert, w. Joan Collins

New Additions to the Warner Archive

- The Boy with Green Hair, 1948, d. Joseph Losey
- The Canterville Ghost, 1944, d. Jules Dassin, Norman Z. McLeod, w. Charles Laughton
- The Enchanted Cottage, 1945, d. John Cromwell
- The Happy Years, 1950, d. William A. Wellman, w. Dean Stockwell
- Hard, Fast and Beautiful, 1951, d. Ida Lupino
- The Hollywood Revue of 1929, 1929, d. Charles Reisner, w. Buster Keaton, Joan Crawford, John Gilbert, Marion Davies, Stan Laurel, Oliver Hardy
- Sally, 1929, d. John Francis Dillon
- Show Girl in Hollywood, 1930, d. Mervyn LeRoy
- The Strange Love of Molly Louvain, 1932, d. Michael Curtiz
- Untamed Youth, 1957, d. Howard W. Koch, w. Mamie Van Doren

January Criterions and More!

January always poses an exciting month for Criterion releases, as it (hopefully) kick-starts the year with a bang, especially after their typically slow month of December. And with the January 2010 titles, Criterion crossed the 500 threshold, with Robert Rossellini's War Trilogy box set marking spine number 500, the trilogy being Rome, Open City [Roma, città aperta], Paisan [Paisà] and Germany Year Zero [Germania anno zero]. Steven Soderbergh's Che will finally bow on DVD and Blu-ray, as well as a resorted version of Wim Wenders' Paris, Texas (on DVD and Blu-ray). Federico Fellini's 8½ will premiere on Blu-ray, which might be the first release of the film in high-definition anywhere.

More exciting than the mainline Criterion titles though is their new Eclipse set, available 19 January: Chantal Akerman in the Seventies. The set includes La chambre, Hotel Monterey, News from Home, Je tu il elle and Les rendez-vous d'Anna.

IFC also announced several titles for January. Jean-Claude Brisseau's À l'aventure, Paco Cabezas' The Appeared [Aparecidos], David Zellner's Goliath, Spike Lee's Passing Strange, Alan Brown's Superheroes and Armando Iannucci's hysterical In the Loop, which will also come in Blu-ray. All are set for 12 January. MPI, who releases IFC's titles, set a new date for The House of the Devil for 2 February, for those concerned.

Some Gays, Some Basterds, Some Exiles, Some Sigourney Weaver - DVD Release Update 8 Sept

Here's a quick DVD update for you. The bad news? I discovered that Sony's beautiful Blu-ray cover for sex, lies and videotape won't be displayed in your living room until 17 November. I guess the good news is that Sony also announced Luc Besson's Léon for the same date, to this day the only film I've ever been able to tolerate Natalie Portman. The most exciting title listed below is Milestone's release of Kent MacKenzie's The Exiles on 17 November. The website I got that from may have the date wrong, as DVDs are typically released on Saturdays, but maybe this is a special occasion. I'll let you know if anything changes. Thanks for the date correction, Dennis

- Brüno, 2009, d. Larry Charles, Universal, also on Blu-ray, 3 November
- Expired, 2007, d. Cecilia Minucchi, Asylum, 3 November, w. Samantha Morton, Jason Patric, Teri Garr, Illeana Douglas
- Familiar Strangers, 2008, d. Zackary Adler, Phase 4, 10 November
- Aaron… Albeit a Sex Hero, 2009, d. Paul Bright, Water Bearer, 17 November
- The Boy with the Sun in His Eyes, 2009, d. Todd Verow, Water Bearer, 17 November, w. Marcel Schlütt
- The Exiles, 1961, d. Kent MacKenzie, Milestone/Oscilloscope, 17 November
- Like a Moth to a Flame, 2009, d. Toby Ross, Joe Rubin, Hornbill, 30 November
- The Girl in the Park, 2007, d. David Auburn, The Weinstein Company, 1 December, w. Sigourney Weaver, Kate Bosworth, Alessandro Nivola, Keri Russell, David Rasche, Elias Koteas
- Into the Storm, 2009, d. Thaddeus O'Sullivan, HBO, 1 December, w. Brendan Gleeson, Janet McTeer, Iain Glenn, James D'Arcy
- Live!, 2007, d. Bill Guttentag, The Weinstein Company, 1 December, w. Eva Mendes
- Inglourious Basterds, 2009, d. Quentin Tarantino, The Weinstein Company, also on Blu-ray, 15 December

On your marks...

Thank you Sony for reminding me it's about time to start work on another installment of my Bad Cover Art series. Is that really Andie Macdowell? Coming soon!

Bruno Dumont's Hadewijch Will Premiere at Toronto, Plus New from Neil Jordan, Ricky Gervais, Steven Soderbergh

As expected after it didn't show at Cannes, Bruno Dumont's Hadewijch will make its world premiere at this year's Toronto International Film Festival. A Charles Darwin biopic entitled Creation (clever) with real-life husband and wife Paul Bettany and Jennifer Connelly playing Mr. and Mrs. Darwin will open the festival. Creation is directed by Jon Amiel, whose previous films range from Copycat to The Core. Other world premieres include Steven Sodebergh's second bow for 2009, The Informat!; Neil Jordan's Ondine; and Ricky Gervais' The Invention of Lying. All of the titles announced today, some of them repeats from Sundance and Cannes, are below.

- Creation - d. Jon Amiel - w. Paul Bettany, Jennifer Connelly
- Get Low - d. Aaron Schneider - w. Robert Duvall, Bill Murray, Sissy Spacek
- Max Manus - d. Joachim Rønning, Espen Sandberg
- Precious: Based on the Novel by Sapphire - d. Lee Daniels
- The Boys Are Back - d. Scott Hicks - w. Clive Owen
- Bright Star - d. Jane Campion
- City of Life and Death - d. Lu Chuan
- Cracks - d. Jordan Scott - w. Eva Green
- Hadewijch - d. Bruno Dumont
- The Informant! - d. Steven Soderbergh - w. Matt Damon
- The Invention of Lying - d. Ricky Gervais, Matthew Robinson - w. Gervais, Jennifer Garner, Jonah Hill, Jeffrey Tambor, Fionnula Flanagan, Tina Fey, Rob Lowe, Jason Bateman, Christopher Guest, Patrick Stewart, Stephen Merchant
- Leaves of Grass - d. Tim Blake Nelson - w. Edward Norton, Melanie Lynskey, Susan Sarandon, Keri Russell, Richard Dreyfuss, Nelson
- London River - d. Rachid Bouchareb - w. Brenda Blethyn
- Mao's Last Dancer - d. Bruce Beresford - w. Bruce greenwood, Kyle Maclachlan, Joan Chen
- Moloch Tropical - d. Raoul Peck
- Mother - d. Bong Joon-ho
- Ondine - d. Neil Jordan - w. Colin Farrell
- Partir - d. Catherine Corsini - w. Kristin Scott Thomas, Sergi López
- Scheherazade Tell Me a Story - d. Yousry Nasrallah
- Solitary Man - d. Brian Koppelman, David Levien - w. Michael Douglas, Susan Sarandon, Danny DeVito, Mary-Louise Parker, Jenna Fischer
- Valhalla Rising - d. Nicolas Winding Refn - w. Mads Mikkelsen, Jamie Sives
- Vengeance - d. Johnnie To
- The Vinter's Luck - d. Niki Caro - w. Jérémie Renier, Gaspard Ulliel, Vera Farmiga, Keisha Castle-Hughes

September Criterions and Other Upcoming DVD Releases

On the surface, September would seem to be a disappointing month for Criterion, with only two official releases, David Mamet's Homicide and Alexander Korda's That Hamilton Woman (on a side note, I think Criterion should really give Korda a rest, as their staff must include the world's only Korda fanboys). However, they also announced a Blu-ray of Jean-Luc Godard's Pierrot le fou, in addition to The Complete Monterey Pop Festival. And, similar to their release of Henry Cass' Last Holiday this past Tuesday, they're releasing Réné Clément's Gervaise, Marcel Carné's Le jour se lève and Anatole Litvak's Mayerling, with Danielle Darrieux and Charles Boyer, for the first time on DVD in the US as part of their Essential Art House Collection. Volume 4 of this set also includes Akira Kurosawa's Throne of Blood, Alfred Hitchcock's The 39 Steps and Michael Powell and Emeric Pressburger's Tales of Hoffman; all six are available separately as well. I thought a prominent New York newspaper said Wim Wenders' Wings of Desire was coming in September as well, but if it is, they haven't announced it officially.

Sony will be releasing Gregor Jordan's adaptation of Bret Easton Ellis' The Informers on DVD and Blu-ray on 25 August. The film's box office failure may have been one of the contributing factors to its distribution company Senator's shutting down, which came about last week; it's also worth noting that The Informers was first (and last) release from them, leaving a number of other films like the two Mesrine films in limbo. Season 3 of 30 Rock, in my opinion the best yet, will be out on 22 September from Universal; Salma Hayek, Jon Hamm, Oprah Winfrey and Alan Alda make memorable guest appearances throughout the season.

Sony announced Carlos Cuarón's Rudo & Cursi on DVD and Blu-ray for 25 August. Strand will be releasing Veiko Õunpuu's Sügisball on 22 September and Yôji Yamada's Kabei: Our Mother on the 8th. And finally, Sony will also release Steven Sodebergh's sex, lies and videotape on Blu-ray on 25 August. More catch-up soon!

Even More DVD Updates: Joe Dallesandro, Alain Robbe-Grillet

Eric announced earlier Mondo Macabre's announcement that they were releasing Alain Robbe-Grillet's Gradiva. Now it's been officially set for 25 August. Another Ryko title coming out on the same date is Fernando Di Leo's Vacation Massacre [Vacanze per un massacro], an action film with Joe Dallesandro from Midnight Choir. Also look for Ralph Bakshi's Fire and Ice on DVD the same day from Blue Underground.

The first of three Coco Chanel films coming out soon, entitled simply Coco Chanel, will hit DVD on 7 July from Screen Media Films. This one was made-for-television and stars Shirley MacLaine and Barbora Bobulova as the fashion designer. Speaking of Chanel, does anyone know if William Friedkin's biopic was scrapped? I had read he was casting Marina Hands as Chanel, but what I remember reading sounds a lot like Coco Chanel & Igor Stravinsky, the closer of this year's Cannes Film Festival with Anna Mouglalis instead of Hands. Anyway, Venevision is releasing Carlos Sorin's Bombón el perro on 14 July. Film Movement is releasing his more recent The Window [La ventana] later this year as well.

Miramax has set a date for the Blu-ray of Pulp Fiction, set for 4 August. I don't know any specifics about the disc, unfortunately. Showtime will have the second season of their brilliant This American Life, which translates surprisingly well onscreen, out on 21 July. Zeitgeist's Oscar-nominated Trouble the Water comes out 25 August as well. Menemesha Films is releasing Jan Hrebejk's Beauty in Trouble [Kráska v nesnázích] on 8 September.

And finally, a few more Magnolia discs have been announced: Robert Kenner's Food, Inc. on 15 September; Steven Soderbergh's The Girlfriend Experience on 15 September; The Mutant Chronicles on DVD and Blu-ray 4 August; Kirby Dick's Outrage on 15 September; and Thanakorn Pongsuwan's Demon Warriors on 4 August.

The Decade List: Some Honorable Mentions for 2000

As time is not on my side, I probably won't get the chance to write about (or even view) all of the films I'd like to for The Decade List. To make up for this, I've singled out a few other notable films from the year 2000, most of which aren't likely to show up on the big list down the road. Some of them are annotated, others not. Of the films below, only five have been revisited within the past year. You can still expect a bunch of other 2000 films throughout the year. I'll probably continue to do this with other good, if not amazing, films from the past 10 years. The films below are in no particular order, though the annotated ones are listed first.

Seom [The Isle] - dir. Kim Ki-duk

A rewatch of the film that introduced me to Kim Ki-duk proved less satisfactory than I had remembered. Outside of its grotesqueness, Ki-duk conducts a breathtaking landscape, a dream/nightmare world of floating houses on a Korean river with dialogue at an absolute minimum. This setting/tone of a cinematic poem works a lot better in Spring, Summer, Fall, Winter... and Spring, but on a visual level, The Isle is still quite lovely.

With: Suh Jung, Kim Yoosuk, Park Sung-hee, Jo Jae-hyeon, Jang Hang-Seon
Screenplay: Kim Ki-duk
Cinematography: Hwang Seo-shik
Music: Jeon Sang-yun
Country of Origin: South Korea
US Distributor: First Run Features

Premiere: 22 April 2000 (South Korea)
US Premiere: 2002 August 23

The King Is Alive - dir. Kristian Levring

Of the notable Dogme 95 films of the 21st century (which, I believe, Lone Scherfig's Italian for Beginners, Susanne Bier's Open Hearts and Ole Christian Madsen's Kira's Reason: A Love Story may be the only others), Kristian Levring's The King Is Alive always stood as my favorite, despite the handful of problems that lie within. The premise, in which a group of tourists get stranded in the middle of an African desert when their bus veers off-course, isn't remarkable. It's a classic pre-reality TV boom exposé of the dark side of the human condition, in which a group of strangers resort to greed and treachery as their hope diminishes, and it doesn't break new ground there. However, when meta psychdrama takes precedence over bleak survival drama, The King Is Alive becomes a lot more intriguing. Of the uniformly excellent cast, Levring provides his actresses with the best material, with Romane Bohringer as an Iago-esque French woman, Jennifer Jason Leigh as a seemingly vapid party girl, Janet McTeer and Lia Williams as women unsatisfied by their husbands. Though certainly contrived, The King Is Alive is rather beautiful when it's hitting the right notes.

With: David Bradley, Romane Bohringer, Jennifer Jason Leigh, Janet McTeer, David Calder, Bruce Davison, Lia Williams, Chris Walker, Vusi Kunene, Miles Anderson, Brion James, Peter Khubeke
Screenplay: Kristian Levring, Anders Thomas Jensen, with inspiration from William Shakespeare's King Lear
Cinematography: Jens Schlosser
Music: Derek Thompson
Country of Origin: Denmark/Sweden/USA
US Distributor: IFC Films

Premiere: 11 May 2000 (Cannes)
US Premiere: 2001 May 11

Awards: Best Actress - Jennifer Jason Leigh (Tokyo International Film Festival)

Psycho Beach Party - dir. Robert Lee King

An amalgam of Frankie & Annette beach films, slasher pics and 60s Americana, Psycho Beach Party finds nothing new to say about its gender or sexual politics, but in such a rambunctious, vibrant package, it's hard to complain. The year 2000 was a strong one for Lauren Ambrose, whose hysterical performance as the spunky schizo Chicklet here and the lost teenager Frankie in Robert J. Siegel's somber Swimming would lead her to the amazing Six Feet Under the following year. Though Psycho Beach Party has a few casting missteps (Nicholas Brendan as Mr. Perfect?), Amy Adams, as the boycrazy Marvel Ann, is one of the bright spots.

With: Lauren Ambrose, Charles Busch, Thomas Gibson, Nicholas Brendon, Beth Broderick, Kimberley Davies, Matt Keeslar, Danni Wheeler, Amy Adams, Nick Cornish, Andrew Levitas, Kathleen Robertson, Nathan Bexton, Buddy Quaid
Screenplay: Charles Busch, based on his play Psycho Beach Party
Cinematography: Arturo Smith
Music: Ben Vaughn
Country of Origin: USA/Australia
US Distributor: Strand Releasing

Premiere: 23 January 2000 (Sundance)

Awards: Outstanding Actress - Lauren Ambrose (L.A. Outfest)

Trolösa [Faithless] - dir. Liv Ullmann

Ingmar Bergman screenplays directed by other people always lack the filmmaker's visual and emotional touch, but his frequent actress and former lover Liv Ullmann does an impressive job with Faithless, even if it does feel like something's missing. There's a strangeness about the unveiled disclosure of the screenplay, in which Erland Josephson, another regular in Bergman's troupe of actors, plays a character named Bergman, living on the island of Fårö, where many of the master's great works were filmed and where he'd later die. Ullmann keeps things ambiguous however, intertwining imagination and memory and keeping the narrative from feeling too confessional.

With: Lena Endre, Erland Josephson, Krister Henriksson, Thomas Hanzon, Michelle Gylemo
Screenplay: Ingmar Bergman
Cinematography: Jörgen Persson
Country of Origin: Sweden/Italy/Germany/Finland/Norway
US Distributor: Samuel Goldwyn Films

Premiere: 13 May 2000 (Cannes)
US Premiere: 2001 January 26 (Palm Springs International Film Festival)

Happy Times - dir. Zhang Yimou

Happy Times would be the turning point in Zhang Yimou's successful, if overpraised, career. His fascination with human drama ended on a high note with Happy Times before giving way to shit-fucking-awful martial arts epics Hero and House of Flying Daggers (as well Curse of the Golden Flower, which I never saw, and Riding Alone for Thousands of Miles, a "return to form").

With: Zhao Benshan, Dong Jie, Dong Lifan, Fu Biao, Li Xuejian
Screenplay: Zi Gai, based on the novel Shifu, You'll Do Anything for a Laugh by Mo Yan
Cinematography: Hou Yong
Music: San Bao
Country of Origin: China
US Distributor: Sony Pictures Classics

Premiere: 31 December 2000
US Premiere: 2002 July 26

Erin Brockovich - dir. Steven Soderbergh

As wildly diverse as Steven Soderbergh's career may be, he found one of his best films, Out of Sight, under the Hollywood umbrella. While not nearly as good as Out of Sight, Erin Brockovich was, for this writer, the better of Soderbergh's offerings in 2000. Erin Brockovich's "empowerment" and sense of humor made for a much more enjoyable filmgoing experience than Traffic's "grittiness." Both could be thrown together as "message movies" about giant social issues, and while their insincerity comes from divergent reasons, Erin Brockovich never strives for anything bigger than its real-life subject does, and thankfully a few of those things are a tight-top, big hair, high heels and plenty of sass. All snark aside, Julia Roberts' performance is quite good, and her Oscar for it is certainly justified from a Hollywood perspective (though, of course, plenty of other actresses were even better with more challenging roles).

With: Julia Roberts, Albert Finney, Aaron Eckhart, Marg Helgenberger
Screenplay: Susannah Grant
Cinematography: Ed Lachman
Music: Thomas Newman
Country of Origin: USA
US Distributor: Universal Studios

Premiere: 14 March 2000 (USA)

Awards: Best Actress - Julia Roberts (Academy Awards); Best Actress - Julia Roberts (BAFTAs); Best Actress, Drama - Julia Roberts (Golden Globes); Best Actress - Julia Roberts, Best Director [also for Traffic] (National Board of Review)

Dancing at the Blue Iguana - dir. Michael Radford

As a film, Dancing at the Blue Iguana isn't much, but as an acting experiment, which was how the film became what it is, it's fantastic. Surrounding the personal and professional lives of five strippers at the Blue Iguana, Daryl Hannah, Jennifer Tilly and Sandra Oh deliver some of the best performances of their careers. All three tool around with their own expected cinematic personas (Hannah as the ditzy blonde, Oh as the introverted nice girl and Tilly as the fiesty vixen) with remarkable results. As one might expect from a film based around improvisation, Dancing at the Blue Iguana works better in individual scenes than as a whole. The most memorable occurs when Tilly, after finding out that she's pregnant, tries to smoke in the waiting room of the doctor's office and goes off on the irritating mom-to-bed next to her. Though neither Hannah nor Oh are physically believable as strippers (I always assume chest size is a pre-requisite for such a job), they make up for it in other areas. Dancing at the Blue Iguana is one of the few examples of a film that overcomes the fact that the sum of its parts greatly out-weight the whole.

With: Daryl Hannah, Jennifer Tilly, Charlotta Ayanna, Sandra Oh, Sheila Kelley, Elias Koteas, Robert Wisdom, Vladimir Mashkov, Kristin Bauer, W. Earl Brown, Chris Hogan, Rodney Rowland, Jesse Bradford, Christina Cabot
Screenplay: Michael Radford, David Linter
Cinematography: Ericson Core
Music: Tal Bergman, Renato Neto
Country of Origin: USA
US Distributor: Lions Gate

Premiere: 14 September 2000 (Toronto Film Festival)
US Premiere: 21 April 2001 (Los Angeles Film Festival)

Trasgredire [Cheeky!] - dir. Tinto Brass

Taken from my earlier review: Tinto Brass still makes films as if it were the 1970s. We open Cheeky! with our heroine, Carla (Yuliya Mayarchuk), strolling through a London park like Jayne Mansfield in The Girl Can’t Help It to an amusingly high-cheese score, where it just so happens everyone around her is engaging in lusty sex. Everywhere she turns, there’s a woman uncrossing her legs to reveal she forgot to put her panties in the laundry that morning. Or there’s a couple in heat, appeasing one another’s sexual urges. Of course, Carla, looking like an Eastern-European streetwalker dressed up as Brigitte Bardot, joins in on the fun, wearing a see-through skirt and exposing her buttocks to passer-byers. There’s a story that follows involving Carla’s tight-ass boyfriend and her search for an apartment, but really this is only an excuse to introduce Carla to as many sexual partners as possible or place her in a situation where others are about to bang. The playfulness of Cheeky!’s sexuality is admirable and refreshing, even if the film is simply pretext for close-ups of Mayarchuk’s ass and sexual experimentation.

With: Yuliya Mayarchuk, Jarno Berardi, Francesca Nunzi, Max Parodi, Mauro Lorenz, Leila Carli, Vittorio Attene
Screenplay: Tinto Brass, Carla Cipriani, Nicolaj Pennestri, Silvia Rossi, Massimiliano Zanin
Cinematography: Massimo Di Venanzo
Music: Pino Donaggio
Country of Origin: Italy
US Distributor: Cult Epics

Premiere: 28 January 2000 (Italy)
US Premiere: 30 May 2006 (DVD Premiere)

Sordid Lives - dir. Del Shores

With: Beth Grant, Delta Burke, Ann Walker, Leslie Jordan, Bonnie Bedelia, Beau Bridges, Kirk Geiger, Olivia Newton-John, Newell Alexander, Rosemary Alexander
Screenplay: Del Shores, based on his play
Cinematography: Max Civon
Music: George S. Clinton
Country of Origin: USA
US Distributor: here! Films

Premiere: 2000 May 25 (Toronto InsideOut Lesbian and Gay Film Festival)
US Premiere: 31 May 2000 (Seattle International Film Festival)

Awards: Outstanding Soundtrack (L.A. Outfest); Best Feature Film, Best Actor - Leslie Jordan (New York International Independent Film & Video Festival); Best Feature (Philadelphia International Gay & Lesbian Film Festival)

Faites comme si je n'étais pas là [Pretend I'm Not Here] - dir. Olivier Jahan

With: Jérémie Renier, Aurore Clément, Sami Bouajila, Alexia Stresi, Nathalie Richard, Emma de Caunes, Johan Leysen, Ouassini Embarek, Bouli Lanners
Screenplay: Olivier Jahan, Michael C. Pouzol
Cinematography: Gilles Porte
Music: Cyril Moisson
Country of Origin: France
US Distributor: N/A

Premiere: 2000 June (Avignon Film Festival)
US Premiere: N/A

101 Reykjavík - dir. Baltasar Kormákur

With: Hilmir Snær Guðnason, Victoria Abril, Hanna María Karlsdóttir, Þrúður Vilhjálmsdóttir, Baltasar Kormákur
Screenplay: Baltasar Kormákur, based on the novel by Hallgrímur Helgason
Cinematography: Peter Steuger
Music: Damon Albarn, Einar Örn Benediktsson
Country of Origin: Iceland/Denmark/France/Norway/Germany
US Distributor: Wellspring

Premiere: 1 June 2000 (Iceland)
US Premiere: 25 July 2001 (New York City)

Awards: Discovery Award (Toronto International Film Festival); Best Screenplay, Best Sound - Kjartan Kjartansson (Edda Awards, Iceland)

Mysterious Object at Noon - dir. Apichatpong Weerasethakul

Cinematography: Prasong Klimborron, Sayombhu Mukdeeprom
Country of Origin: Thailand
US Distributor: Plexifilm

Premiere: 2000 October 2 (Vancouver International Film Festival)
US Premiere: 2001 June 23 (New York City)

Dayereh [The Circle] - dir. Jafar Panahi

With: Nargess Mamizadeh, Maryiam Palvin Almani, Mojgan Faramarzi, Elham Saboktakin, Solmaz Panahi, Fereshteh Sadre Orafaiy, Fatemeh Naghavi, Monir Arab
Screenplay: Kambuzia Partovi
Cinematography: Bahram Badakshani
Country of Origin: Iran/Switzerland/Italy
US Distributor: Fox Lorber

Premiere: 6 September 2000 (Venice FIlm Festival)
US Premiere: 1 March 2000 (International Film Series)

Awards: Golden Lion (Venice); Freedom of Expression Award (National Board of Review)

O Fantasma - dir. João Pedro Rodrigues

With: Ricardo Meneses, Beatriz Torcato, Andre Barbosa, Eurico Vieria, Joaquim Oliveira, Florindo Lourenço
Screenplay: Alexandre Melo, José Neves, Paulo Rebelo, João Pedro Rodrigues
Cinematography: Rui Poças
Country of Origin: Portugal
US Distributor: Picture This!

Premiere: 8 September 2000 (Venice Film Festival)
US Premiere: 2001 June 2 (Seattle International Film Festival)

Awards: Best Feature (New York Lesbian and Gay Film Festival)