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As fictional rock n roll films go, there's no beating Hedwig and the Angry Inch, which blows its competition away (pun probably intended) in both music and depth. Hedwig and the Angry Inch is consistently surprising on both levels. Compared to any film to tackle the issue of gender directly, the film's nuances and thoughtfulness are refreshing, but that it handles everything it puts on its plate with the same sort of freshness is all the more worthy of praise. Adapted by John Cameron Mitchell from his stage musical, its comparisons to Rocky Horror Picture Show are pure surface, as Rocky revels in its "camp" transvestitism while Hedwig does not. Its comments about gender, lost love and fame come from something organic. Mitchell's strength (and maybe his weakness, too) derive from humanism, but in both this and the later Shortbus, it's hard to imagine having a better time watching a film about the tribulations of being displaced.
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Screenplay: John Cameron Mitchell, based on the play by Mitchell and Stephen Trask
Cinematography: Frank G. DeMarco
Music: Stephen Trask, John Cameron Mitchell
Country of Origin: USA
US Distributor: Fine Line Features
Premiere: 19 January 2001 (Sundance)
Awards: Directing Award, Audience Award: Dramatic (Sundance); Teddy: Best Feature Film (Berlin); Outstanding Film: Limited Release (GLAAD Media Awards); Actor in a Leading Role - John Cameron Mitchell, Actress in a Supporting Role - Miriam Shor (LA Outfest); Audience Award (San Francisco International Film Festival); Best First Feature (San Francisco International Gay & Lesbian Film Festival)
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