

- Los abrazos rotos [Broken Embraces], d. Pedro Almodóvar, Spain
- Alle Anderen [Everyone Else], d. Maren Ade, Germany
- Antichrist, d. Lars von Trier, Denmark
- Apaföld [Father's Acre], d. Viktor Nagy, Hungary
- Der Baader Meinhof Komplex [The Baader-Meinhof Complex], d. Uli Edel, Germany
- Brothers, d. Igaal Niddam, Switzerland
- Camino, d. Javier Fesser, Spain
- Coco avant Chanel, d. Anne Fontaine, France

- Eastern Plays, d. Kamen Kalev, Bulgaria
- Fish Tank, d. Andrea Arnold, UK
- Frygtelig lykkelig [Terribly Happy], d. Henrik Ruben Genz, Denmark
- It All Begins at Sea, d. Eitan Green, Israel
- Jaffa, d. Keren Yedaya, France/Israel/Germany
- Jerichow, d. Christian Petzold, Germany
- Käsky [Tears of April], d. Aku Louhimies, Finland/Germany/Greece
- Kisses, d. Lance Daly, Ireland
- Der Knochenmann [The Bone Man], d. Wolfgang Murnberger, Austria

- Lille soldat [Little Soldier], d. Annette K. Olesen, Denmark
- Loft, d. Erik Van Looy, Belgium
- Looking for Eric, d. Ken Loach, UK/France
- Män som hatar kvinnor [The Girl with the Dragon Tattoo], d. Niels Arden Oplev, Sweden
- Maria Larssons eviga ögonblick [Everlasting Moments], d. Jan Troell, Sweden/Denmark
- Max Manus, d. Joachim Rønning, Espen Sandberg, Norway/Germany/Denmark
- Ničiji sin [No One's Son], d. Arsen Anton Ostojić, Croatia
- Nord [North], d. Rune Denstad Langlo, Norway
- Oorlogswinter [Winter in Wartime], d. Martin Koolhoven, Netherlands

- Paper Soldier, d. Aleksei German MI., Russia
- Poliţist, adjectiv [Police, Adjective], d. Corneliu Porumboiu, Romania
- Pranzo di ferragosto [Mid-August Lunch], d. Gianni Di Gregorio, Italy
- Questione di cuore [A Matter of Heart], d. Francesca Archibugi, Italy
- The Reader, d. Stephen Daldry, Germany [Huh?]
- Retorno a Hansala [Return to Hansala], d. Chus Gutiérrez, Spain
- Séraphine, d. Martin Provost, France
- Slumdog Millionaire, d. Danny Boyle, UK [Hmm]
- Strella [A Woman's Journey], d. Panos H. Koutras, Greece

- The Time That Remains, d. Elia Suleiman, France
- Tobruk, d. Václav Marhoul, Czech Republic/Slovakia
- Turneja [The Tour], d. Goran Marković, Serbia/Bosnia & Herzegovina/Croatia/Slovenia
- Un prophète [A Prophet], d. Jacques Audiard, France
- Uzak ihtimal [Wrong Rosary], d. Mahmut Fazıl Coşkun, Turkey
- Vincere, d. Marco Bellocchio, Italy
- Das weiße Band [The White Ribbon], d. Michael Haneke, Austria/Germany/France/Italy
- Welcome, d. Philippe Lioret, France


- Katalin Varga, d. Peter Strickland, Romania/UK/Hungary
- The Other Bank, d. George Ovashvili, Georgia/Kazakhstan
- Sois sage [Be Good], d. Juliette Garcias, France/Denmark
- Sonbahar [Autumn], d. Özcan Alper, Turkey/Germany
3 comments:
A lot of the films in the list are good ones, I wasn't aware that the list were so long.
This is a very interesting perspective, however I think judging someone's ability to do a job solely based upon their handwriting is a little unfair. I know my handwriting changes depending on what I am writing. I also think the fact that pretty much nothing is written by hand today; from a college to an email, that this can affect people's handwriting for the worse.
The post is very nicely written and it contains many useful facts. I am happy to find your distinguished way of writing the post. Now you make it easy for me to understand and implement. Thanks for sharing with us.
Post a Comment